| Thomas Love Peacock - 1921 - 154 páginas
...we are portions and percipients, and it purges from our inward sight . the film of familiarity which obscures from us the wonder -of our being. It compels...justifies the bold and true word of Tasso : Non merita nome di creatore, se non Iddio ed il Poeta. A poet, as he is the author to others of the highest wisdom,... | |
| Ernest Edward Kellett - 1923 - 228 páginas
...name Creative Imagination. "Poetry," says Shelley, in the same Defence which we have already quoted, "creates anew the universe after it has been annihilated...blunted by reiteration. It justifies the bold and true words of Tasso, Non merita name di creator e, se non Iddio ed il Poeta — none deserves the name of... | |
| André Jolles - 1923 - 318 páginas
...de gedachten van dien tijd samenhangt, en hoe de verderfelijke dwaling, uit een dichtkunst „that creates anew the universe after it has been annihilated...minds by the recurrence of impressions blunted by reiterations" plotseling over te springen op een dichter, die dientengevolge „the happiest, the best,... | |
| Edmund David Jones - 1924 - 636 páginas
...we are portions and percipients, and it purges from our inward sight the film of familiarity which obscures from us the wonder of our being. It compels...blunted by reiteration. It justifies the bold and true words of Tasso : Non merita nome di creatore, se non Iddio ed il Poeta. A poet, as he is the author... | |
| William Tenney Brewster - 1925 - 424 páginas
...we are portions and percipients, and it purges from our inward sight the film of familiarity which obscures from us the wonder of our being. It compels...blunted by reiteration. It justifies the bold and true words of Tasso : Non merita name di creatore, se non Iddio ed il Poeta.1 A poet, as he is the author... | |
| Annie Edwards Powell Dodds - 1926 - 280 páginas
...intuition." The immediacy and the primitive character of its vision are strongly emphasized ; poetry " creates anew the universe, after it has been annihilated...recurrence of impressions blunted by reiteration." Hence for Shelley, as for Croce, all the rest of our mental life is ultimately dependent on the aesthetic... | |
| Gay Wilson Allen, Harry Hayden Clark - 1962 - 676 páginas
...we are portions and percipients, and it purges from our inward sight the film of familiarity which obscures from us the wonder of our being. It compels...blunted by reiteration. It justifies the bold and true words of Tasso: Non merita name di creator e, se non Iddio ed il Poeta.16 A poet, as he is the author... | |
| René Wellek - 1981 - 472 páginas
...well phrased when Shelley speaks of poetry as "purging from our inward sight the film of familiarity." "It compels us to feel that which we perceive, and to imagine that which we know." " He understands the kind of superiority which may be claimed for the poetic medium over that of the... | |
| Walter Pater - 1982 - 304 páginas
...between poetry and the universe, let us say that criticism [vii] creates the poem anew, after the poem has been annihilated in our minds by the recurrence of impressions blunted by reiteration. Ruskin's or Pater's criticism tends to create anew not so much a particular work of art but rather... | |
| Henri Lefebvre - 232 páginas
...inward sight the film of familiarity which obscures us from the wonder of our being, and would create anew the universe, after it has been annihilated in our minds by the recurrence of images and ideals blunted by endless reiteration in modern society. Lefebvre, like Marcuse in the Aesthetic... | |
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