| Elaine Hatfield, John T Cacioppo, Richard L Rapson - 1994 - 256 páginas
...movements with one another. Historical background As early as 1759, Adam Smith (1759/1976) observed: When we see a stroke aimed, and just ready to fall...another person, we naturally shrink and draw back our leg or our own arm; and when it does fall, we feel it in some measure, and are hurt by it as well as... | |
| Teresa Brennan, Martin Jay - 1996 - 254 páginas
...we see. From the first, then, the visual is crucial in determining the entire system. Smith writes, "When we see a stroke aimed and just ready to fall...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they... | |
| V. A. C. Gatrell, Vic Gatrell - 1994 - 660 páginas
...the capacity for identification with others in the natural, albeit involuntary and unconscious realm: 'When we see a stroke aimed, and just ready to fall...in some measure, and are hurt by it as well as the sufferer.'a9 38 D. Hume, Treatise of human nature (1739-40l; cf. J. Mullan. Stntiment and sociaWity:... | |
| Robert L. Heilbroner - 1996 - 376 páginas
...demonstrated by many obvious observations, if it should not be thought sufficiently evident of itself. When we see a stroke aimed and just ready to fall...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they... | |
| Martin L. Hoffman - 2001 - 346 páginas
...(1906), although it was intuitively understood 150 years earlier by Adam Smith (1759/ 1976) who observed: When we see a stroke aimed, and just ready to fall...person, we naturally shrink and draw back our own arm. . . . The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist... | |
| Peter De Bolla - 2003 - 300 páginas
...the somatic level. The techne of sympathy creates a somatically sensitized visuality. Smith writes: When we see a stroke aimed and just ready to fall...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they... | |
| Tracy C. Davis, Thomas Postlewait - 2003 - 260 páginas
...are the kinesthetic reflexes that cause us to "shrink and draw back our own leg or our own arm" if "we see a stroke aimed and just ready to fall upon the leg or arm of another person." Likewise, when we see an acrobat walking the slack rope, spectators "writhe and twist and balance their... | |
| Adam Smith - 2004 - 260 páginas
...demonstrated by many obvious observations, if it should not be thought sufficiently evident of itself. When we see a stroke aimed and just ready to fall...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they... | |
| Roy Porter - 2004 - 600 páginas
...through the capacity to stand in another's shoes, or by 'changing places in fancy with the sufferer': When we see a stroke aimed, and just ready to fall...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies as they see him do, and as they... | |
| Gordon Graham - 2004 - 264 páginas
...The Theory of Moral Sentiments, ed. Knud Haakonssen, Cambridge: University Press, 2002, pp. 11-32. upon the leg or arm of another person, we naturally...sufferer. The mob, when they are gazing at a dancer on the slack rope, naturally writhe and twist and balance their own bodies, as they see him do, and as they... | |
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