 The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ; nor have we the most distant notion of the place where these scenes are represented, or of the materials of which it is composed.  The Principles of psychology v. 1 - Página 350por William James - 1890Vista completa - Acerca de este libro
 | Hunter Brown, Leonard A. Kennedy - 1995 - 660 páginas
...propensity we may have to imagine that simplicity and identity. The comparison with the theatre must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed. What then gives us so great a propensity to ascribe an... | |
 | George David Miller, Conrad P. Pritscher - 1995 - 180 páginas
...have to imagine simplicity and identity. The comparison of the theatre must not mislead us. They are successive perceptions only, that constitute the mind;...notion of the place where these scenes are represented, or of the materials, of which it is compos'd.1 Patient has major fixation on this statement, prohabty... | |
 | Oliver A. Johnson - 1995 - 398 páginas
...comparison of tbe tbeatre must not mislead us. They are tbe successive perceptions only, tbat conststute tbe mind; nor have we the most distant notion of the place, where these scenes are represented, or of the materials, of which it is compos'd. (253 — final italics added) The metaphor of the actors... | |
 | James R. Mensch - 1996 - 324 páginas
...postures and situations." This is especially the case when Hume adds: "The comparison of the theater must not mislead us, They are the successive perceptions only, that constitute the mind" (Treatise, Book 1, sec. vi, p. 253). Sartre's position, however, is not a Humean idealism, one where... | |
 | Don Garrett Associate Professor of Philosophy University of Utah - 1996 - 289 páginas
...the result of bundling. Hume need not hold this view, however. 9. "The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented. .. ." (THN 253). Chapter 9 1. 'Moral evaluation' is, of course, my term and not Hume's. I use the term... | |
 | Ned Block, Owen Flanagan, Guven Guzeldere - 1997 - 884 páginas
...kind of ontologica! conclusion Descartes is criticized as holding: "The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd." (Hume 1955, Book I, IV:V, 85). 64. Another issue related... | |
 | Z. Radman - 1996 - 208 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind [...]. (1965: 253) Hippolite Taine also made references to the »mind is theatre« metaphor as a descriptive... | |
 | Peter Loptson - 1998 - 588 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd. What then gives us so great a propension to ascribe an... | |
 | Shaun Gallagher - 1998 - 260 páginas
...expressed about the metaphor, a caution that Hume had stated clearly: "The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd" (1739, 253). Derrida also warns us about the "naive metaphorics... | |
 | Michael Simpson - 1998 - 500 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials of which it is compos'd. (Book I, Part IV, Section VI, p. 253) This mind is apparently... | |
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