 The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ; nor have we the most distant notion of the place where these scenes are represented, or of the materials of which it is composed.  The Principles of psychology v. 1 - Página 350por William James - 1890Vista completa - Acerca de este libro
 | Charles Augustus Strong - 1923 - 124 páginas
...it at one time, nor identity in different . . ." And he adds : " The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind." In this he was not wrong, if by perceptions we mean apprehended data; or if by the term we mean sensations,... | |
 | Gustavus Watts Cunningham - 1925 - 146 páginas
...mingle in an infinite variety of postures and situations. . . . The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed."3 The case against the traditional view of mind may,... | |
 | Roy Wood Sellars - 1926 - 548 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed."1 Hume was convinced that we are confined to these changing... | |
 | Roy Wood Sellars - 1926 - 568 páginas
...to imagine that simplicity and identity. The comparison of the theatre must not mislead us. (J'hey are the successive perceptions only, that constitute...of the place, where these scenes are represented, or of the materials, of which it is composed.'^) Hmne was convinced that we are confingd to these changing... | |
 | Gustavus Watts Cunningham - 1924 - 480 páginas
...natural propension we have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind. . . . " * Hume admits, as he must of course, that these ' perceptions ' or experiences, in spite of... | |
 | David Hume - 1927 - 444 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd. What then gives us so great a propension to ascribe an... | |
 | Thomas Vernor Smith, Marjorie Grene - 1957 - 384 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...the most distant notion of the place, where these senses are represented, or of the materials, of which it is compos'd. What then gives us so great a... | |
 | Henri Lauener - 1993 - 328 páginas
...and mingle in an infinite variety of postures and situations ... The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ... 5 Hume's conclusion that the mind is merely a bundle of resem3. David Hume, A Treatise of Human... | |
 | Jorge Luis Borges - 1967 - 234 páginas
...mingle in an infinite variety of postures and situations. . . . The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd." Once the idealist argument is admitted, it is my understanding... | |
 | Wayne Waxman - 2003 - 368 páginas
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd. (7252f.; see also 7207, TApp634f., and />IV.28f.)2«... | |
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