SUBVERSIVE GENEALOGYKnopf Doubleday Publishing Group, 2013 M08 28 - 368 páginas In this major reconsideration of Herman Melville’s life and work, Michael Paul Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family—which, three generations after its Revolutionary War heroes, produced an alcoholic, a bankrupt, and a suicide. Rogin argues that a history of Melville’s fiction, and of the society represented in it, is also a history of the writer’s family. He describes how that family first engaged Melville in and then isolated him from American political and social life. Melville’s brother and father-in-law are shown to link Moby-Dick to the crisis over expansion and slavery. White-Jacket and Billy Budd, which concern shipboard conflicts between masters and seamen, are related to an execution at sea in which Melville’s cousin played a decisive part. The figure of Melville’s father haunts The Confidence Man, whose subject is the triumph of the marketplace and the absence of authority. A provocative study of one of our supreme literary artists. |
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... society. The Red Rover escapes society as a romance. That means not only that the pirate is a social outcast, but also that his book disdains responsibility faithfully to mirror reality. By calling for a translucent bookbinding ...
... society. The Red Rover escapes society as a romance. That means not only that the pirate is a social outcast, but also that his book disdains responsibility faithfully to mirror reality. By calling for a translucent bookbinding ...
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... novel, and less through the action of characters in society.3 This modified understanding of the antebellum romance recovers the life in American art. It leaves unresolved the relationship of that art to the political and social life.
... novel, and less through the action of characters in society.3 This modified understanding of the antebellum romance recovers the life in American art. It leaves unresolved the relationship of that art to the political and social life.
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... society. This method of rescuing the imagination undermines it, and the romance has come under attack for fleeing historical social relations into fantasies of the imperial self.4 Antebellum history suggests that the romance was not so ...
... society. This method of rescuing the imagination undermines it, and the romance has come under attack for fleeing historical social relations into fantasies of the imperial self.4 Antebellum history suggests that the romance was not so ...
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... society more generally. Marx described it in the 1840s as the separation between citizen and bourgeois, state and civil society.6 When, speaking “egotistically,” Melville wants The Red Rover to throw off its “jacket,” he is calling ...
... society more generally. Marx described it in the 1840s as the separation between citizen and bourgeois, state and civil society.6 When, speaking “egotistically,” Melville wants The Red Rover to throw off its “jacket,” he is calling ...
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... society. The organized segments of society—property, family, church—were constituent elements of political rule. America lacked a feudal history and, according to Marx, the separation of the free state from civil society was most ...
... society. The organized segments of society—property, family, church—were constituent elements of political rule. America lacked a feudal history and, according to Marx, the separation of the free state from civil society was most ...
Contenido
SOCIETY | |
Herman Melvilles Eighteenth Brumaire | |
THE STATE | |
The Somers Mutiny and Billy Budd Melville in | |
Notes | |
Otras ediciones - Ver todas
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Paul Rogin Vista de fragmentos - 1983 |
Términos y frases comunes
Ahab Ahab’s Albany Allan Melvill American antebellum authority Bartleby Bartleby’s Battle-Pieces Benito Cereno Billy Budd Billy’s Boston brother buttons captain Civil confidence Confidence-Man conflict Cooper’s costume crew custom house death democratic dome Duyckinck escape father flogging freedom Gansevoort Melville Glendinning Guert Gansevoort Hawthorne heart Henry Herman Melville hero human Ibid imagined Indian Isabel Ishmael Israel Potter Jackson lawyer Lemuel Shaw Lincoln Mackenzie Mackenzie’s man’s Manifest Destiny Maria Melvill Marx masquerade Melvill to Peter Melville wrote Melville’s Melville’s fiction Moby Moby-Dick mother Mount Greylock mutiny narrator nature Neversink novel O’Sullivan Omoo Parker paternal Pequod Peter Gansevoort Philip Spencer Pierre Pierre’s poem Red Rover Redburn replaced Revolution revolutionary romance sailors San Dominick savage Shaw’s ship slave slavery SM/H social society Somers Spencer Stanwix stone story symbols Tartarus Theodore Parker Thomas Melvill Thoreau Tocqueville Vere Vere’s Webster whale whip White-Jacket York Young America