Selling Your Crafts: Revised EditionSimon and Schuster, 2003 M03 1 - 296 páginas Drawing upon profiles of established artisans and the helpful insights of small-business entrepreneurs, this unique guide not only gives tactics for promoting and marketing crafts, but also provides the necessary forms for getting a business up and running. The book details how to network effectively and build a customer base, listing organizations, business associations, and crafts publications that offer further sources of information. Filled with easy-to-understand examples and sample forms and contracts, this book provides the essential tools for prospering in the crafts business, as well as the resources needed to keep savvy as business grows. |
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... fairs is fickle,” says Missy. “One year I got the Best in Clay Award at the Philadelphia fair and then the next year I didn't even get into the fair! The promoters try to keep the fairs fresh and the jurors are always different, which ...
... fairs is fickle,” says Missy. “One year I got the Best in Clay Award at the Philadelphia fair and then the next year I didn't even get into the fair! The promoters try to keep the fairs fresh and the jurors are always different, which ...
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... fair. Now, with a family, I only work half days in the studio because I don't want to use day care. I feel so grateful to be able to do what I do and make a good living. I never imagined this would happen to me.” Eric Swanson Eric ...
... fair. Now, with a family, I only work half days in the studio because I don't want to use day care. I feel so grateful to be able to do what I do and make a good living. I never imagined this would happen to me.” Eric Swanson Eric ...
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... fair market. So I kept making my work, got some publicity and exposure, and began teaching at the 92nd Street Y in New York City. One of the best things that happened during this time was that I got two pieces into a show at the.
... fair market. So I kept making my work, got some publicity and exposure, and began teaching at the 92nd Street Y in New York City. One of the best things that happened during this time was that I got two pieces into a show at the.
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able accountant addition advertising American application artists brochure budget buyers catalog chapter commission consider copy cost craft craft fairs craftspeople craftsperson customers decide employees example expenses fair feel figure gallery give hire important income interested keep living look magazine mailing Maine marketing materials meet offer opportunity organization owner payment percent person photographs piece policies printed professional profiles promote publicity purchase questions receive records require response retail sample says sell simple slides someone space spend start started studio suggestions sure teaching things track wholesale workshops write