Nonlinear Editing: Storytelling, Aesthetics, and CraftTaylor & Francis, 2002 - 523 páginas The art of editing in a nonlinear mode cannot be gleaned from software application manuals. This book is designed to convey the artistic considerations and techniques that both new and experienced editors need to employ in editing digital stock. Readers learn the importance of timing, emotion, and art in assembling a cohesive project that tells a story with the appropriate flow and pace. Each chapter features interviews with professionals and exercises relevant to the subject matter under discussion. |
Dentro del libro
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Contenido
Chapter 1 Gathering the Editors Tools | 19 |
Chapter 2 Planning the Process | 73 |
Chapter 3 Giving Respect Where Respect Is Due | 111 |
Chapter 4 Gathering Around the Campfire | 147 |
Chapter 5 Overcoming Story Problems | 167 |
Chapter 6 Tripping on Transitions | 185 |
Chapter 7 Color and Composition | 219 |
Chapter 8 Compositing and the Editor | 265 |
Chapter 9 Dynamic Sound | 295 |
Chapter 10 How Do I Break In? | 345 |
Chapter 11 Clients and Chaos | 387 |
Chapter 12 Conclusions and Continuity | 411 |
Chapter 13 Useful Lists | 445 |
517 | |
Color Plate Section | i |
Términos y frases comunes
able action actor allow appear areas audience audio become beginning Bryce camera character choice choose client clip color common complete composite Continued course create creative deal direct director editing editor effects elements example experience feel field files film final format frame give going graphics idea important included issues It’s keep light look material meaning Media move nature notes offer once particular piece play position possible problems producer questions refer relationship require result scene screen seen sense sequence share shot simply sound story structure suggest tape tend things tracks understanding visual