Shaw's New History of English LiteratureSheldon & Company, 1879 - 404 páginas |
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Página v
... .. 21 CHAPTER IV . GEOFFREY CHAUCER . 26 CHAPTER V. THE CONTEMPORARIES OF CHAUCER . 43 CHAPTER VI . FROM CHAUCER TO SPENSER .. 49 CHAPTER VII . THE NON - DRAMATIC ELIZABETHAN POETS ... 60 CHAPTER VIII . THE DAWN OF THE DRAMA ... PAGE.
... .. 21 CHAPTER IV . GEOFFREY CHAUCER . 26 CHAPTER V. THE CONTEMPORARIES OF CHAUCER . 43 CHAPTER VI . FROM CHAUCER TO SPENSER .. 49 CHAPTER VII . THE NON - DRAMATIC ELIZABETHAN POETS ... 60 CHAPTER VIII . THE DAWN OF THE DRAMA ... PAGE.
Página vi
... XV . THE LITERATURE OF THE RESTORATION .. 159 CHAPTER XVI . THE CORRUPT DRAMA . 179 СНАРТER XVII . THE PHILOSOPHERS AND THEOLOGIANS OF LOCKE'S TIME ..... 186 CHAPTER XVIII . PAGE THE ARTIFICIAL POETS OF THE EIGHTEENTH vi CONTENTS .
... XV . THE LITERATURE OF THE RESTORATION .. 159 CHAPTER XVI . THE CORRUPT DRAMA . 179 СНАРТER XVII . THE PHILOSOPHERS AND THEOLOGIANS OF LOCKE'S TIME ..... 186 CHAPTER XVIII . PAGE THE ARTIFICIAL POETS OF THE EIGHTEENTH vi CONTENTS .
Página 12
... dramatic Elizabethan Poets . The Elizabethan Dramatists , The Metaphysical Poets , John Milton , Samuel Butler , John Dryden , The Corrupt Dramatists , The Artificial Poets of the 18th Century , The first Romantic Poets , Walter Scott ...
... dramatic Elizabethan Poets . The Elizabethan Dramatists , The Metaphysical Poets , John Milton , Samuel Butler , John Dryden , The Corrupt Dramatists , The Artificial Poets of the 18th Century , The first Romantic Poets , Walter Scott ...
Página 59
... the sacred dialect , and establish the form which the Bible must permanently assume in an English dress.— Marsh's Lectures on the English Language , p . 113 . " THE CHAPTER VII . THE NON - DRAMATIC ELIZABETHAN WILLIAM TYNDALE . 59.
... the sacred dialect , and establish the form which the Bible must permanently assume in an English dress.— Marsh's Lectures on the English Language , p . 113 . " THE CHAPTER VII . THE NON - DRAMATIC ELIZABETHAN WILLIAM TYNDALE . 59.
Página 60
Thomas Budd Shaw. " THE CHAPTER VII . THE NON - DRAMATIC ELIZABETHAN POETS . HE ELIZABETHAN AGE " is marked by features which give it peculiar distinction in the history of the literary world . The language had ... DRAMATIC ELIZABETHAN POETS.
Thomas Budd Shaw. " THE CHAPTER VII . THE NON - DRAMATIC ELIZABETHAN POETS . HE ELIZABETHAN AGE " is marked by features which give it peculiar distinction in the history of the literary world . The language had ... DRAMATIC ELIZABETHAN POETS.
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Addison admirable American appeared Bacon ballads beautiful Ben Jonson Beowulf brilliant Byron Canterbury Tales career century character charming Chaucer Church composition criticism death drama dramatists Dryden edition elegant Elizabethan era eminent England English language English Literature essays expression exquisite Faery Queene fame fancy fiction genius give grace Henry Hudibras human humor influence intellectual interest John Johnson Julius Cæsar King labor language Latin learning letters literary London Milton mind modern moral nature noble novel Oliver Goldsmith original passion pathos peculiar philosophy picturesque Piers Ploughman plays poem poet poetical poetry political Pope popular prose published Puritan reader religious remarkable Roman satire Saxon scenes Scott sentiment Shakespeare song Spenser spirit story style success sympathy talent taste thought tion tone tragedy translation Trouvère verse vigorous Walter Scott William William Wordsworth Wordsworth writings written wrote
Pasajes populares
Página 56 - I never heard the old song of Percy and Douglas that I found not my heart moved more than with a trumpet...
Página 272 - I received one morning a message from poor Goldsmith that he was in great distress, and as it was not in his power to come to me, begging that I would come to him as soon as possible. I sent him a guinea, and promised to come to him directly. I accordingly went as soon as I was dressed, and found that his landlady had arrested him for his rent, at which he was in a violent passion. I perceived that he had already changed my guinea, and had got a bottle of madeira and a glass before him. I put the...
Página 142 - Thy soul was like a star, and dwelt apart: Thou hadst a voice whose sound was like the sea: Pure as the naked heavens, majestic, free, So didst thou travel on life's common way, In cheerful godliness; and yet thy heart The lowliest duties on herself did lay.
Página 142 - THREE Poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpassed; The next in majesty •, In both the last. The force of Nature could no further go ; To make a third, she joined the former two.
Página 223 - Soon as the evening shades prevail The moon takes up the wondrous tale, And nightly to the listening earth Repeats the story of her birth ; Whilst all the stars that round her burn, And all the planets in their turn, Confirm the tidings as they roll, And spread the truth from pole to pole.
Página 151 - It is to be regretted that the prose writings of Milton should, in our time, be so little read. As compositions, they deserve the attention of every man who wishes to become acquainted with the full power of the English language. They abound with passages compared with which the finest declamations of Burke sink into insignificance. They are a perfect field of cloth of gold. The style is stiff with gorgeous embroidery. Not even in the earlier books of the
Página 224 - He reads much ; He is a great observer and he looks Quite through the deeds of men ; he loves no plays, As thou dost, Antony ; he hears no music ; Seldom he smiles, and smiles in such a sort As if he mock'd himself and scorn'd his spirit That could be moved to smile at any thing.
Página 223 - What though in solemn silence all Move round this dark terrestrial ball; What though no real voice, nor sound, Amidst their radiant orbs be found. In reason's ear they all rejoice, And utter forth a glorious voice; Forever singing as they shine, THE HAND THAT MADE US IS DIVINE.
Página 183 - I shall say the less of Mr Collier, because in many things he has taxed me justly; and I have pleaded guilty to all thoughts and expressions of mine which can be truly argued of obscenity, profaneness, or immorality, and retract them.
Página 281 - There was a strong expression of sense and shrewdness in all his lineaments ; the eye alone, I think, indicated the poetical character and temperament. It was large, and of a dark cast, and glowed (I say literally glowed] when he spoke with feeling or interest. I never saw such another eye in a human head, though I have seen the most distinguished men in my time.