"MAN. The spirits I have raised abandon me- I lean no more on superhuman aid, It hath no power upon the past, and for The future, till the past be gulf'd in darkness, And thou fresh breaking Day, and you, ye Mountains, Art a delight-thou shin'st not on my heart. A stir, a motion, even a breath, would bring To rest for ever-wherefore do I pause? -Ay, Thou winged and cloud-cleaving minister, [An eagle passes. Well may'st thou swoop so near me--I should be Thy prey, and gorge thine eaglets; thou art gone But we, who name ourselves its sovereigns, we, To sink or soar, with our mix'd essence make Till our mortality predominates, And men are what they name not to themselves, And trust not to each other. Hark! the note, [The shepherd's pipe in the distance is heard. The natural music of the mountain reed For here the patriarchal days are not A pastoral fable-pipes in the liberal air, Mix'd with the sweet bells of the sauntering herd; My soul would drink those echoes.-Oh, that I were A living voice, a breathing harmony, A bodiless enjoyment-born and dying With the blest tone which made me!" P. 20-22. At this period of his soliloquy, he is descried by a chamois hunter, who overhears its continuance : "To be thus Grey-hair'd with anguish, like these blasted pines, A blighted trunk upon a cursed root, Which but supplies a feeling to decay And to be thus, eternally but thus, Having been otherwise! Ye toppling crags of ice! Ye avalanches, whom a breath draws down And hamlet of the harmless villager. The mists boil up around the glaciers! clouds Just as he is about to spring from the cliff, he is seized by the hunter, who forces him away from the dangerous place in the midst of the rising tempest. In the second act, we find him in the cottage of this peasant, and in a still wilder state of disorder. His host offers him wine; but, upon looking at the cup, he exclaims "Away, away! there's blood upon the brim! C. HUN. What dost thou mean? thy senses wander from thee. When we were in our youth, and had one heart, And this was shed: but still it rises up, Colouring the clouds, that shut me out from heaven, Where thou art not-and I shall never be. C. HUN. Man of strange words, and some half-maddening sin," &c. It doth; but actions are our epochs: mine Have made my days and nights imperishable, Endless, and all alike, as sands upon the shore, Innumerable atoms; and one desert, Barren and cold, on which the wild waves break, Rocks, and the salt-surf weeds of bitterness. C. HUN. Alas! he's mad-but yet I must not leave him. Would be but a distemper'd dream. C. HUN. What is it That thou dost see, or think thou look'st upon ? MAN. Myself, and thee-a peasant of the Alps- And spirit patient, pious, proud, and free; Thy self-respect, grafted on innocent thoughts; Thy days of health, and nights of sleep; thy toils, Of cheerful old age and a quiet grave, With cross and garland over its green turf, This do I see-and then I look within It matters not-my soul was scorch'd already!" P. 27-29. In a The following scene is one of the most poetical and most sweetly written in the poem. There is a still and delicious witchery in the tranquillity and seclusion of the place, and the celestial beauty of the Being who reveals herself in the midst of these visible enchantments. deep valley among the mountains, Manfred appears alone before a lofty cataract, pealing in the quiet sunshine down the still and everlasting rock; and says→→→ "It is not noon-the sunbow's rays still arch The homage of these waters.-I will call her. [He takes some of the water into the palm of his hand, and flings it in the air, muttering the adjuration. After a pause, the WITCH OF THE ALPS rises beneath the arch of the sunbow of the torrent. MAN. Beautiful Spirit! with thy hair of light, And dazzling eyes of glory, in whose form The charms of Earth's least-mortal_daughters grow To an unearthly stature, in an essence The blush of earth embracing with her heaven,— The beauties of the sunbow which bends o'er thee. I read that thou wilt pardon to a Son Of Earth, whom the abstruser Powers permit WITCH. Son of Earth! I know thee, and the Powers which give thee power; And deeds of good and ill, extreme in both, Fatal and fated in thy sufferings. I have expected this-what wouldst thou with me? MAN. To look upon thy beauty-nothing further." P. 31, 32. There is something exquisitely beautiful, to our taste, in all this passage; and both the apparition and the dialogue are so managed, that the sense of their improbability is swallowed up in that of their beauty;-and without actually believing that such spirits exist or communicate themselves, we feel for the moment as if we stood in their presence. What follows, though extremely powerful, and more laboured in the writing, has less charm for us. He tells his celestial auditor the brief story of his misfortune; and when he mentions the death of the only being he had ever loved, the beauteous Spirit breaks in with her superhuman pride: "And for this A being of the race thou dost despise, The gifts of our great knowledge, and shrink'st back To recreant mortality-Away! MAN. Daughter of Air! I tell thee, since that hour But words are breath-look on me in my sleep, Or watch my watchings-Come and sit by me! My solitude is solitude no more, But peopled with the Furies;-I have gnash'd Of elements the waters shrunk from me, And fatal things pass'd harmless." P. 36, 37. The third scene is the boldest in the exhibition of supernatural persons. The three Destinies and Nemesis meet at midnight, on the top of the Alps, on their way to the hall of Arimanes, and sing strange ditties to the moon, of their mischiefs wrought among men. Nemesis being rather late, thus apologises for keeping them waiting : "I was detain'd repairing shatter'd thrones, Avenging men upon their enemies, And making them repent their own revenge; Afresh, for they were waxing out of date, We have outstaid the hour-mount we our clouds!" P. 44. This we think is out of place at least, if we must not say out of character, and though the author may tell us that human calamities are naturally subjects of derision to the Ministers of Vengeance, yet we cannot be persuaded that satirical and political allusions are at all compatible with the feelings and impressions which it was here his business to maintain. When the Fatal Sisters are again assembled before the throne of Arimanes, Manfred suddenly appears among them, and refuses the prostrations which they require. The First Destiny thus loftily announces him : "Prince of the Powers invisible! This man Is of no common order, as his port And presence here denote; his sufferings Our own; his knowledge and his powers and will, Which clogs the ethereal essence, have been such This is not all;-the passions, attributes' Of earth and heaven, from which no power, nor being, Nor breath from the worm upwards is exempt, Have pierced his heart; and in their consequence Made him a thing, which I, who pity not, Yet pardon those who pity. He is mine, No other Spirit in this region hath A soul like his-or power upon his soul." P. 47, 48. At his desire, the ghost of his beloved Astarte is then called up, and appears but refuses to speak at the command of the powers who have raised her, till Mandfred breaks out into this passionate and agonising address: "Hear me, hear me Astarte! my beloved! speak to me: I have so much endured-so much endure Look on me! the grave hath not changed thee more Than I am changed for thee. Thou lovedst me Too much, as I loved thee: we were not made To torture thus each other, though it were I feel but what thou art-and what I am; And I would hear yet once, before I perish, The voice which was my music-Speak to me ! For I have call'd on thee in the still night, Startled the slumbering birds from the hush'd boughs, Which answer'd me-many things answer'd me- PHAN. Farewell! PHAN. Manfred !. Say, shall we meet again? One word for mercy! Say, thou lovest me. The last act, though in many passages very beautifully written, seems to us less powerful. It passes altogether in Manfred's castle, and is chiefly occupied in two long conversations between him and a holy abbot, who comes to exhort and absolve him, and whose counsel he repels with the most reverent gentleness, and but few bursts of dignity and pride. The following passages are full of poetry and feeling : "Ay-father! I have had those earthly visions To make my own the mind of other men, Which having leapt from its more dazzling height, ABBOT. And why not live and act with other men? The red-hot breath of the most lone Simoom, Which dwells but in the desert, and sweeps o'er The barren sands which bear no shrubs to blast, And revels o'er their wild and arid waves, And seeketh not, so that it is not sought, But being met is deadly; such hath been The course of my existence; but there came Things in my path which are no more." P. 59, 60. There is also a fine address to the setting sun-and a singular miscellaneous soliloquy, in which one of the author's Roman recollections is brought in, we must say, somewhat unnaturally : "The stars are forth, the moon above the tops I linger yet with Nature, for the Night Hath been to me a more familiar face I learn'd the language of another world. I do remember me, that in my youth, When I was wandering,-upon such a night 'Midst the chief relics of almighty Rome: |