The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 340
... Woman grew still at last because of the great stillness , and the Coyote - Spirit said in a hungry , whining voice , - " Do you know why I brought you here ? " " To show me how still and beautiful the world is here , " said the Weaving ...
... Woman grew still at last because of the great stillness , and the Coyote - Spirit said in a hungry , whining voice , - " Do you know why I brought you here ? " " To show me how still and beautiful the world is here , " said the Weaving ...
Página 346
... woman can't have a baby . It's got so a woman is crazy to have a baby . " The other women look at her in fright . The child keeps on playing . An- other pregnant woman goes slowly looming in the dark . Anna looks wildly at her two ...
... woman can't have a baby . It's got so a woman is crazy to have a baby . " The other women look at her in fright . The child keeps on playing . An- other pregnant woman goes slowly looming in the dark . Anna looks wildly at her two ...
Página 442
... woman ? Look at me ! Look at my arm ! I have ploughed and planted , and gathered into barns , and no man could head me ! And ain't I a woman ? I could work as much and eat as much as a man - when I could get it — and bear the lash as ...
... woman ? Look at me ! Look at my arm ! I have ploughed and planted , and gathered into barns , and no man could head me ! And ain't I a woman ? I could work as much and eat as much as a man - when I could get it — and bear the lash as ...
Contenido
INTRODUCTION | x |
WALLPAPER | 41 |
THE ENEMY | 126 |
Derechos de autor | |
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
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