The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
Dentro del libro
Resultados 1-3 de 87
Página 118
... voices . " Maybe I'll come over to play kickball after . If you feeling better . Maybe . Or bring the pogo . " Old shared joys in her voice . " Or any little thing . " In just a whisper : " Or any little thing . Parry . Good - bye ...
... voices . " Maybe I'll come over to play kickball after . If you feeling better . Maybe . Or bring the pogo . " Old shared joys in her voice . " Or any little thing . " In just a whisper : " Or any little thing . Parry . Good - bye ...
Página 119
... voice and the waves lapping and fretting . " Maybe somebody's had a hard week , Carol , and they locked up with it . Maybe a lot of hard weeks bearing down . ' " Mother , my head hurts . " " And they're home , Carol , church is home ...
... voice and the waves lapping and fretting . " Maybe somebody's had a hard week , Carol , and they locked up with it . Maybe a lot of hard weeks bearing down . ' " Mother , my head hurts . " " And they're home , Carol , church is home ...
Página 273
... voice showed her consummate ability . From earliest times to the present , women poets insisted that their work express their lives , intellectual as well as domestic and personal . Serious women writers who worked in the conventions of ...
... voice showed her consummate ability . From earliest times to the present , women poets insisted that their work express their lives , intellectual as well as domestic and personal . Serious women writers who worked in the conventions of ...
Otras ediciones - Ver todas
The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
Adoniram ain't Alice Gerstenberg American Anna Quindlen asked barn beautiful began better boys called Carol COUNTY ATTORNEY door dress Ellis Island eyes face father feel girl goin Grandma Grandmother haiku hair HALE hands HARRIET Harris Haskett head hear heard heart HETTY Howard Johnson's husband John Judith Sargent Murray Kate Chopin kitchen knew lady laughed LI-TAI light live looked Lucille Clifton Magda MAGGIE Mandy MARGARET married Mary Hunter Austin morning mother Native American Negro never night Olga Broumas PETERS remember Roberta Rosen Rosie smile stood story Susan Glaspell Sykes talk tell Templeton things thought told took turned Varick Vickie Victoria Vietnam Vietnam war voice waited walk want a wife watched Waythorn window WING woman women writers writing young