The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 107
... took near all dat you gointer take ef yuh stay ' round me . " Delia pushed back her plate and got up from the table . “ Ah hates you , Sykes , " she said calmly . “ Ah hates you tuh de same degree dat Ah useter love yuh . Ah done took an ' ...
... took near all dat you gointer take ef yuh stay ' round me . " Delia pushed back her plate and got up from the table . “ Ah hates you , Sykes , " she said calmly . “ Ah hates you tuh de same degree dat Ah useter love yuh . Ah done took an ' ...
Página 217
... took the long skinny fingers kindly in his . " Angry ? God help me , no ! Let me sleep . I am tired . " He threw himself heavily down on the wooden bench , stunned with pain and weariness . She brought some old rags to cover him . It ...
... took the long skinny fingers kindly in his . " Angry ? God help me , no ! Let me sleep . I am tired . " He threw himself heavily down on the wooden bench , stunned with pain and weariness . She brought some old rags to cover him . It ...
Página 261
... took this letter to her father's office . Seated in his revolving desk - chair , Mr. Templeton read it over several times and looked embarrassed . spare " I'm sorry , daughter , " he said at last , " but really , just now , I couldn't ...
... took this letter to her father's office . Seated in his revolving desk - chair , Mr. Templeton read it over several times and looked embarrassed . spare " I'm sorry , daughter , " he said at last , " but really , just now , I couldn't ...
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
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