The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
Dentro del libro
Resultados 1-3 de 86
Página 341
... tell for the life of him whether he was most coyote or most man , which so frightened him that he ran away and left the Weaving Woman to hunt for roots alone . He ran for three days and nights , being afraid of himself , which is the ...
... tell for the life of him whether he was most coyote or most man , which so frightened him that he ran away and left the Weaving Woman to hunt for roots alone . He ran for three days and nights , being afraid of himself , which is the ...
Página 391
... tell John the good news . MARGARET : ( Leisurely to HARRIET ) I little guessed when I came for a pleasant chat about old times that it would develop into business arrangements . I had no idea , Harriet , that you had any in- tention of ...
... tell John the good news . MARGARET : ( Leisurely to HARRIET ) I little guessed when I came for a pleasant chat about old times that it would develop into business arrangements . I had no idea , Harriet , that you had any in- tention of ...
Página 404
... tell her her fruit was gone . Tell her it ain't . Tell her it's all right . Take this in to prove it to her . She - she may never know whether it was broke or not . MRS . PETERS : [ Takes the bottle , looks about for something to wrap ...
... tell her her fruit was gone . Tell her it ain't . Tell her it's all right . Take this in to prove it to her . She - she may never know whether it was broke or not . MRS . PETERS : [ Takes the bottle , looks about for something to wrap ...
Contenido
INTRODUCTION | x |
WALLPAPER | 41 |
THE ENEMY | 126 |
Derechos de autor | |
Otras 31 secciones no mostradas
Otras ediciones - Ver todas
The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
ain't American arms asked barn beautiful began believe better called Carol carried child coming course don't door dress eyes face father feel felt friends girl give hair hands Haskett head hear heard heart hold husband John keep kind knew laughed leave LI-TAI light live looked married mean mind morning mother moved never night once passed remember returned Rosen Rosie seemed short side sitting smile sometimes standing stay stood stopped story sure talk tell things thought told took town turned voice waited walk watched Waythorn week wife window WING wish woman women wonder writing young