The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 18
... seemed to her that Tom was growing fussy about the house affairs, and took more notice of those minor details than he used. She wished more than once, when she was tired, that he would not talk so much about the housekeeping; he seemed ...
... seemed to her that Tom was growing fussy about the house affairs, and took more notice of those minor details than he used. She wished more than once, when she was tired, that he would not talk so much about the housekeeping; he seemed ...
Página 132
... seemed to flow together and eyes that moved from one face to another . Several figures in black robes came and picked up his hand and shook it . A black procession was flowing up each aisle and forming to stately music in a pool in ...
... seemed to flow together and eyes that moved from one face to another . Several figures in black robes came and picked up his hand and shook it . A black procession was flowing up each aisle and forming to stately music in a pool in ...
Página 357
... seemed to be coming from far off . For a long time if the subject of cancer came up , you could be sure cancer itself wasn't coming any nearer than to some congested place in the North , then to Atlanta , seventy - odd miles away , then ...
... seemed to be coming from far off . For a long time if the subject of cancer came up , you could be sure cancer itself wasn't coming any nearer than to some congested place in the North , then to Atlanta , seventy - odd miles away , then ...
Contenido
INTRODUCTION | x |
WALLPAPER | 41 |
THE ENEMY | 126 |
Derechos de autor | |
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
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