The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
Dentro del libro
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Página 171
... looked mean to them of course and they looked as though they could not wait to throw themselves in front of a police car , or better yet , into my car and drag me away by my ankles . Now they surrounded my car and gently , gently began ...
... looked mean to them of course and they looked as though they could not wait to throw themselves in front of a police car , or better yet , into my car and drag me away by my ankles . Now they surrounded my car and gently , gently began ...
Página 194
... looked at him from her house ; he looked at her from his . And this part of the story is much the same : the old woman ; the lion ; and , down by the creek , the cow . It was hot . Crickets sang shrill in the yellow grass on all the ...
... looked at him from her house ; he looked at her from his . And this part of the story is much the same : the old woman ; the lion ; and , down by the creek , the cow . It was hot . Crickets sang shrill in the yellow grass on all the ...
Página 224
... looked out of the window again . People were leaving the market now . A tall mulatto girl , following her mistress , her basket on her head , crossed the street just below , and looked up . She was laughing ; but , when she caught sight ...
... looked out of the window again . People were leaving the market now . A tall mulatto girl , following her mistress , her basket on her head , crossed the street just below , and looked up . She was laughing ; but , when she caught sight ...
Contenido
INTRODUCTION | x |
WALLPAPER | 41 |
THE ENEMY | 126 |
Derechos de autor | |
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
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