The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 204
... knew that . And it might be that very knowledge had given to her face its apathy and vacancy more than her low , torpid life . One sees that dead , vacant look steal sometimes over the rarest , finest of women's faces , -in the very ...
... knew that . And it might be that very knowledge had given to her face its apathy and vacancy more than her low , torpid life . One sees that dead , vacant look steal sometimes over the rarest , finest of women's faces , -in the very ...
Página 251
... knew that here she was censured and criticized , she who had always been so admired and envied ! Grandmother knew that these meddlesome " Northerners " said things that made Victoria suspicious and unlike herself ; made her unwilling ...
... knew that here she was censured and criticized , she who had always been so admired and envied ! Grandmother knew that these meddlesome " Northerners " said things that made Victoria suspicious and unlike herself ; made her unwilling ...
Página 429
... knew he was my father . LI - TAI ( distractedly ) : What are you talking about ? WING ( impatient ) : Quit pretending . Lau Hing Quo . I told you he was my father ! ( seizes the pipe violently ) LI - TAI ( grabbing for the pipe ) : Give ...
... knew he was my father . LI - TAI ( distractedly ) : What are you talking about ? WING ( impatient ) : Quit pretending . Lau Hing Quo . I told you he was my father ! ( seizes the pipe violently ) LI - TAI ( grabbing for the pipe ) : Give ...
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
Adoniram ain't Alice Gerstenberg American Anna Quindlen asked barn beautiful began better boys called Carol COUNTY ATTORNEY door dress Ellis Island eyes face father feel girl goin Grandma Grandmother haiku hair HALE hands HARRIET Harris Haskett head hear heard heart HETTY Howard Johnson's husband John Judith Sargent Murray Kate Chopin kitchen knew lady laughed LI-TAI light live looked Lucille Clifton Magda MAGGIE Mandy MARGARET married Mary Hunter Austin morning mother Native American Negro never night Olga Broumas PETERS remember Roberta Rosen Rosie smile stood story Susan Glaspell Sykes talk tell Templeton things thought told took turned Varick Vickie Victoria Vietnam Vietnam war voice waited walk want a wife watched Waythorn window WING woman women writers writing young