The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
Dentro del libro
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Página 110
... heard him moan , " Mah Gawd fum Heben ! " She heard him stumbling about and got up from her flower - bed . The sun was growing warm . As she approached the door she heard him call out hopefully , “ Delia , is dat you Ah heah ? " She saw ...
... heard him moan , " Mah Gawd fum Heben ! " She heard him stumbling about and got up from her flower - bed . The sun was growing warm . As she approached the door she heard him call out hopefully , “ Delia , is dat you Ah heah ? " She saw ...
Página 133
... heard his name mentioned again but they were not talking about him , they were still talking about history . " If we forget our past , " the speaker was saying , " we won't remember our future and it will be as well for we won't have ...
... heard his name mentioned again but they were not talking about him , they were still talking about history . " If we forget our past , " the speaker was saying , " we won't remember our future and it will be as well for we won't have ...
Página 518
... heard them gnaw off one of my thick braids . Then I lost my spirit . Since the day I was taken from my mother I had suffered extreme indignites . People had stared at me . I had been tossed about in the air like a wooden puppet . And ...
... heard them gnaw off one of my thick braids . Then I lost my spirit . Since the day I was taken from my mother I had suffered extreme indignites . People had stared at me . I had been tossed about in the air like a wooden puppet . And ...
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
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