The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 358
... friends and other people we know . People who will re- member the good days and the bad , the names of lovers and grandchildren , the time sorrow almost broke , the time loving friendship healed . It must become a right of every person ...
... friends and other people we know . People who will re- member the good days and the bad , the names of lovers and grandchildren , the time sorrow almost broke , the time loving friendship healed . It must become a right of every person ...
Página 546
... friends . What I wanted was a fresh start , a chance to begin life over again , but the first thing I heard in the ... friends with the Laguna families and they would bring nice gifts when they came . Grandpa Hank had a friend like that ...
... friends . What I wanted was a fresh start , a chance to begin life over again , but the first thing I heard in the ... friends with the Laguna families and they would bring nice gifts when they came . Grandpa Hank had a friend like that ...
Página 548
... friends . I like to dance . I'm no hermit , and I'm not shy . So why do I sit with my tablet and pen and mutter to myself ? There are many answers . I write because I'm a reader . I want to give to others what writers have given me , a ...
... friends . I like to dance . I'm no hermit , and I'm not shy . So why do I sit with my tablet and pen and mutter to myself ? There are many answers . I write because I'm a reader . I want to give to others what writers have given me , a ...
Contenido
INTRODUCTION | x |
WALLPAPER | 41 |
THE ENEMY | 126 |
Derechos de autor | |
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
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