The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 118
... feel sorry . I'll feel better you not there to watch . It was our mommas wanted you to be there , not me . " " Parry ! " Three voices . " Maybe I'll come over to play kickball after . If you feeling better . Maybe . Or bring the pogo ...
... feel sorry . I'll feel better you not there to watch . It was our mommas wanted you to be there , not me . " " Parry ! " Three voices . " Maybe I'll come over to play kickball after . If you feeling better . Maybe . Or bring the pogo ...
Página 119
... feel how they feel and maybe let it come out . So they can go on . And it's all right . " " Please , Alva . Mother , tell Alva my head hurts . " " Get Happy , we call it , and most it's a good feeling , Carol . When you got all that ...
... feel how they feel and maybe let it come out . So they can go on . And it's all right . " " Please , Alva . Mother , tell Alva my head hurts . " " Get Happy , we call it , and most it's a good feeling , Carol . When you got all that ...
Página 526
... feel them in my own body . Sometimes it is a week before I can get to sleep after such an experience . I A debt owing by my father fills me with shame . I feel like a criminal when pass the creditor's door . I am only ten years old ...
... feel them in my own body . Sometimes it is a week before I can get to sleep after such an experience . I A debt owing by my father fills me with shame . I feel like a criminal when pass the creditor's door . I am only ten years old ...
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
Adoniram ain't Alice Gerstenberg American Anna Quindlen asked barn beautiful began better boys called Carol COUNTY ATTORNEY door dress Ellis Island eyes face father feel girl goin Grandma Grandmother haiku hair HALE hands HARRIET Harris Haskett head hear heard heart HETTY Howard Johnson's husband John Judith Sargent Murray Kate Chopin kitchen knew lady laughed LI-TAI light live looked Lucille Clifton Magda MAGGIE Mandy MARGARET married Mary Hunter Austin morning mother Native American Negro never night Olga Broumas PETERS remember Roberta Rosen Rosie smile stood story Susan Glaspell Sykes talk tell Templeton things thought told took turned Varick Vickie Victoria Vietnam Vietnam war voice waited walk want a wife watched Waythorn window WING woman women writers writing young