The Oxford Book of Women's Writing in the United StatesLinda Wagner-Martin, Cathy N. Davidson Oxford University Press, 1995 - 596 páginas Provocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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... Susan Glaspell , TRIFLES : A PLAY IN ONE ACT 393 Genny Lim , BITTER CANE 407 Speeches and Performance Pieces 441 Sojourner Truth , AIN'T I A WOMAN ? 441 Alice Childress , MEN IN YOUR LIFE 443 THREE Laurie Anderson , from United States ...
... Susan Glaspell , TRIFLES : A PLAY IN ONE ACT 393 Genny Lim , BITTER CANE 407 Speeches and Performance Pieces 441 Sojourner Truth , AIN'T I A WOMAN ? 441 Alice Childress , MEN IN YOUR LIFE 443 THREE Laurie Anderson , from United States ...
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... Susan Glaspell ( 1882-1948 ) , in fact , may be said to have created twentieth century American drama as we know it . In 1911 , Gerstenberg's Overtones , an innovative play about the split consciousnesses of two women characters ...
... Susan Glaspell ( 1882-1948 ) , in fact , may be said to have created twentieth century American drama as we know it . In 1911 , Gerstenberg's Overtones , an innovative play about the split consciousnesses of two women characters ...
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Linda Wagner-Martin, Cathy N. Davidson. Susan Glaspell ( 1882-1948 ) TRIFLES : A PLAY IN ONE ACT Characters GEORGE HENDERSON . County Attorney HENRY PETERS . Sheriff LEWIS HALE ... Susan Glaspell, TRIFLES: A PLAY IN ONE ACT.
Linda Wagner-Martin, Cathy N. Davidson. Susan Glaspell ( 1882-1948 ) TRIFLES : A PLAY IN ONE ACT Characters GEORGE HENDERSON . County Attorney HENRY PETERS . Sheriff LEWIS HALE ... Susan Glaspell, TRIFLES: A PLAY IN ONE ACT.
Otras ediciones - Ver todas
The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
Términos y frases comunes
Adoniram ain't Alice Gerstenberg American Anna Quindlen asked barn beautiful began better boys called Carol COUNTY ATTORNEY door dress Ellis Island eyes face father feel girl goin Grandma Grandmother haiku hair HALE hands HARRIET Harris Haskett head hear heard heart HETTY Howard Johnson's husband John Judith Sargent Murray Kate Chopin kitchen knew lady laughed LI-TAI light live looked Lucille Clifton Magda MAGGIE Mandy MARGARET married Mary Hunter Austin morning mother Native American Negro never night Olga Broumas PETERS remember Roberta Rosen Rosie smile stood story Susan Glaspell Sykes talk tell Templeton things thought told took turned Varick Vickie Victoria Vietnam Vietnam war voice waited walk want a wife watched Waythorn window WING woman women writers writing young