The Oxford Book of Women's Writing in the United StatesProvocative and compulsively readable, lively, engaging, and brilliantly representative, The Oxford Book of Women's Writing in the United States presents short stories, poems, essays, plays, speeches, performance pieces, erotica, diaries, correspondence, and even a few recipes from nearly one hundred of our best women writers. Reveling in the awareness that the best U.S. women's writing is, quite simply, some of the best in the world, editors Linda Wagner-Martin and Cathy N. Davidson have chosen selections spanning four centuries and reflecting the rich variety of American women's lives. The collection embraces the perspectives of age and youth, the traditional and the revolutionary, the public and the private. Here is Judith Sargent Murray's 1790 essay "On the Equality of the Sexes," journalist Martha Gellhorn's "Last Words on Vietnam, 1987," and Mary Gordon's homage to the ghosts of Ellis Island, "More Than Just a Shrine"; powerful short stories by Zora Neale Hurston, Edith Wharton, Cynthia Ozick, and Toni Morrison; letters from Abigail Adams, Sarah Moore Grimke[accent], Emma Goldman, and Georgia O'Keeffe; Alice B. Toklas's recipe "Bass for Picasso," and erotic offerings from Anais Nin and Rita Mae Brown. The moving autobiography of Zitkala- Sa[accent], whose mother was a Sioux, tells us more about "otherness" than any sociological treatise, while Janice Mirikitani's and Nellie Wong's poems about being young Asian-American women, like Alice Walker's meditation on the beauty of growing old, speak to all readers. A thought-provoking introduction and descriptive headnotes explore the history of women's writing in ways that help the reader to understand the American women who have used language to change their worlds and to remember the past, and as a means of etching their deepest, fondest dreams. A joy to read, The Oxford Book of Women's Writing in the United States is filled with eye-opening and unexpected selections. It is the perfect book for anyone fascinated by women's writing and women's lives. |
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Página 323
Beginning with the emancipation of the Negro , the inevitable result of unbridled power exercised for two and a half centuries , by the white man over the Negro , began to show itself in acts of conscienceless outlawry .
Beginning with the emancipation of the Negro , the inevitable result of unbridled power exercised for two and a half centuries , by the white man over the Negro , began to show itself in acts of conscienceless outlawry .
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No insurrection ever materialized ; no Negro rioter was ever apprehended and proven guilty , and no dynamite ever recorded the black man's protest against oppression and wrong . It was too much to ask thoughtful people to believe this ...
No insurrection ever materialized ; no Negro rioter was ever apprehended and proven guilty , and no dynamite ever recorded the black man's protest against oppression and wrong . It was too much to ask thoughtful people to believe this ...
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thread bare lie that Negro men rape white women . If Southern white men are not careful , they will over - reach themselves and public sentiment will have a reaction ; a conclusion will then be reached which will be very damaging to the ...
thread bare lie that Negro men rape white women . If Southern white men are not careful , they will over - reach themselves and public sentiment will have a reaction ; a conclusion will then be reached which will be very damaging to the ...
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The Oxford book of women's writing in the United States
Crítica de los usuarios - Not Available - Book VerdictJust in time for the anniversary: a masterly and comprehensive anthology giving context to the long battle for the vote-and women's continuing struggle in the years since. Included here are short ... Leer comentario completo
Contenido
INTRODUCTION | x |
WALLPAPER | 41 |
THE ENEMY | 126 |
Derechos de autor | |
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The Oxford Book of Women's Writing in the United States Linda Wagner-Martin,Cathy N. Davidson Vista previa limitada - 1999 |
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