The Art of the Writer: Essays, Excerpts, and TranslationsLane Cooper Cornell University Press, 1952 - 436 páginas |
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Página 65
... syllable and ending with three short ones , as in or Δαλογενὲς εἴτε Λυκίαν , χρυσεοκόμα Εκατε παῖ Διός . The other , which is opposite to it , has three short syllables at the beginning and the long syllable at the end , as μετὰ δὲ γᾶν ...
... syllable and ending with three short ones , as in or Δαλογενὲς εἴτε Λυκίαν , χρυσεοκόμα Εκατε παῖ Διός . The other , which is opposite to it , has three short syllables at the beginning and the long syllable at the end , as μετὰ δὲ γᾶν ...
Página 130
... syllables : but on removing one syllable , and reading és védos , the grandeur of movement is at once crippled by the abridgment . So conversely if you lengthen into woteρeì védos , the meaning is still the same , but it does not strike ...
... syllables : but on removing one syllable , and reading és védos , the grandeur of movement is at once crippled by the abridgment . So conversely if you lengthen into woteρeì védos , the meaning is still the same , but it does not strike ...
Página 264
... syllables be rhythmically arranged , the mind may economize its energies by anticipating the attention required for each syllable . Far - fetched though this idea will perhaps be thought , a little introspection will countenance it ...
... syllables be rhythmically arranged , the mind may economize its energies by anticipating the attention required for each syllable . Far - fetched though this idea will perhaps be thought , a little introspection will countenance it ...
Contenido
AND OF STYLE | 1 |
from the PHÆDRUS | 20 |
from the RHETORIC | 45 |
Derechos de autor | |
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Términos y frases comunes
Aristotle artist Athenian Athens audience beauty better Buffon called Cicero clauses color composition criticism Demosthenes diction effect eloquence emotion English prose essay Euripides excellence expression fact faculty feeling force French French language genius give Gorgias Greek harmony hearers Hence Herodotus Hyperides ideas Iliad imitation instance intellect Isocrates Johannes von Müller kind labor language learned less literary literature Lysias manner matter means ment metaphor mind mode Molière nature never Nireus object observe orator passage passion peculiar perfect Pericles person Phædr phrase Plato poet poetical poetry present principle produced proper Quintilian reader reason rhetoric rhythm rule sense sentence simile simple Sophocles soul speak speaker speech sublimity suppose syllable theory of style Theuth things thought tion translation treatise true truth understand uttered verse Voltaire Wackernagel whole words writer