Childhood in Literature and Art: With Some Observations on Literature for Children; a StudyHoughton, Mifflin, 1894 - 253 páginas |
Dentro del libro
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Página 92
... Raphael . Even those who turn severely away from him , and seek for purer art in his predecessors , must needs use his name as one of epochal consequence . So many forces of the age meet in Raphael , who was peculiarly open to ...
... Raphael . Even those who turn severely away from him , and seek for purer art in his predecessors , must needs use his name as one of epochal consequence . So many forces of the age meet in Raphael , who was peculiarly open to ...
Página 93
... Raphael's work this motive appears once at least in the St. Petersburg Madonna , which is a quiet land- scape - scene , where the child is in the Ma- donna's lap she holds a book , which she has just been reading ; the little S. John ...
... Raphael's work this motive appears once at least in the St. Petersburg Madonna , which is a quiet land- scape - scene , where the child is in the Ma- donna's lap she holds a book , which she has just been reading ; the little S. John ...
Página 94
... Raphael , there is an enthusiasm , and a dreamy senti- ment which seems to seek expression chiefly through the ... Raphael's work 94 CHILDHOOD IN ART.
... Raphael , there is an enthusiasm , and a dreamy senti- ment which seems to seek expression chiefly through the ... Raphael's work 94 CHILDHOOD IN ART.
Página 95
... Raphael's work , as in the Bridgewater Madonna , where the child , stretched in the mother's lap , looks up with a graceful and lively action , and fixes his eyes upon her in deep thought , while she looks back with maternal , reverent ...
... Raphael's work , as in the Bridgewater Madonna , where the child , stretched in the mother's lap , looks up with a graceful and lively action , and fixes his eyes upon her in deep thought , while she looks back with maternal , reverent ...
Página 97
... Raphael has rested his art in no elaborate use of celestial machinery . He has taken the simple , ele- mental relation , and invested it with its eter- nal properties . He gives not a supernatural and transcendent mother and child , but ...
... Raphael has rested his art in no elaborate use of celestial machinery . He has taken the simple , ele- mental relation , and invested it with its eter- nal properties . He gives not a supernatural and transcendent mother and child , but ...
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Términos y frases comunes
Admetus Agamemnon Alkestis Andersen angels artistic Astyanax babe birth Bodleys character charm chil child Jesus CHILDHOOD IN LITERATURE childish Christ Christianity church conception consciousness death Dickens divine dren early element Elizabethan era English literature expression eyes fairy fairy tales father feeling figure German Goethe Goody Two Shoes Greek HANS CHRISTIAN ANDERSEN Hawthorne heaven Homer hood HORACE E human Iliad illustration imagination incidents infant innocent Joseph literature and art literature for children look Luca della Robbia Madonna Mary mind mother nature ness NOAH WEBSTER OBSERVATIONS ON LITERATURE passage person picture Plato play poem poet poetic poetry present Puritan Raphael regard relation religious Renaissance Roman says scarcely sentiment significant solitude Sophocles soul spirit story sweet tale tender thee things thou thought tion truth ture Vicar of Wakefield Virgin words Wordsworth writing young youth
Pasajes populares
Página 116 - Humble and rustic life was generally chosen, because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings coexist in a state of greater simplicity and consequently may be more accurately contemplated and more forcibly communicated; because the manners of rural life germinate from those elementary feelings and...
Página 15 - Thus saith the Lord of Hosts; There shall yet old men and old women dwell in the streets of Jerusalem, and every man with his staff in his hand for very age. And the streets of the city shall be full of boys and girls playing in the streets thereof.
Página 72 - And said unto them, Whosoever shall receive this child in my name receiveth me: and whosoever shall receive me receiveth him that sent me: for he that is least among you all, the same shall be great.
Página 104 - Behold the child, by Nature's kindly law, Pleased with a rattle, tickled with a straw: Some livelier plaything gives his youth delight, A little louder, but as empty quite: Scarfs, garters, gold, amuse his riper stage, And beads and prayer-books are the toys of age: Pleased with this bauble still, as that before; Till tired he sleeps, and life's poor play is o'er.
Página 106 - There scattered oft, the earliest of the year, By hands unseen, are showers of violets found ; The redbreast loves to build and warble there, And little footsteps lightly print the ground.
Página 127 - Hence in a season of calm weather, Though inland far we be, Our Souls have sight of that immortal sea Which brought us hither, Can in a moment travel thither, And see the Children sport upon the shore, And hear the mighty waters rolling evermore...
Página 91 - I have given suck, and know How tender 'tis to love the babe that milks me; I would, while it was smiling in my face, Have plucked my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Página 94 - Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind ; And therefore is wing'd Cupid painted blind...
Página 125 - I was often unable to think of external things as having external existence, and I communed with all that I saw as something not apart from, but inherent in, my own immaterial nature. Many times while going to school have I grasped at a wall or tree to recall myself from this abyss of idealism to the reality.
Página 120 - As homeward through the lane I went with lazy feet, This song to myself did I oftentimes repeat; And it seemed, as I retraced the ballad line by line, That but half of it was hers, and one half of it was mine. Again, and once again, did I repeat the song : "Nay...