John Brown's Body: Slavery, Violence, & the Culture of WarUniversity of North Carolina Press, 2004 - 226 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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Página 6
... wartime artists searched for a way to commemorate dead soldiers that reflected , even elevated , the corpse's absence and , by extension , the mass scale of death in war . Whitman's wartime writing grapples with the challenge ...
... wartime artists searched for a way to commemorate dead soldiers that reflected , even elevated , the corpse's absence and , by extension , the mass scale of death in war . Whitman's wartime writing grapples with the challenge ...
Página 83
... wartime writing demonstrates , close scrutiny of the dead does not necessarily temper the project of nation building through war . In " Turn O Libertad , " the penultimate poem in Drum - Taps , the na- tion emerges from war “ expanding ...
... wartime writing demonstrates , close scrutiny of the dead does not necessarily temper the project of nation building through war . In " Turn O Libertad , " the penultimate poem in Drum - Taps , the na- tion emerges from war “ expanding ...
Página 91
... wartime culture in an effort to rebuild na- tional community . Unlike Whitman , who assimilates the particulars of war into a narrative of triumphant national unity , these anthologies nar- rate the war through the accumulation and ...
... wartime culture in an effort to rebuild na- tional community . Unlike Whitman , who assimilates the particulars of war into a narrative of triumphant national unity , these anthologies nar- rate the war through the accumulation and ...
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, and the Culture of War Franny Nudelman Vista previa limitada - 2015 |
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead black soldiers blood Brown's execution burial buried Civil civilians collective commemorative Confederate context Copeland corporal punishment corpse culture dead body dead soldiers death describes discipline dissection dramatized Drum-Taps effort emancipation Emmett Till enlistment enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg Gray hand Harper's Weekly identity images imagined inflicted insurrection insurrectionary John Brown John Brown's Body Julia Ward Lincoln living Lydia Maria Child lynching mass military executions mourners mourning narration narrative Nat Turner New-York Historical Society nineteenth-century Northern offered pain poems poetry political portray postmortem photographs produce racial representations scaffold scene sentimental slaveholders slavery slaves song Southern spectacle spectator speech suffering sympathy Till's tion transformation Union army University Press viewer violence Virginia Walker war's wartime Whitman Wise wounded writes York