John Brown's Body: Slavery, Violence, & the Culture of WarUniversity of North Carolina Press, 2004 - 226 páginas Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture. |
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Página 35
... represented both a suffering slave population and a guilty white nation . Because he was a white man , the act of ... represent the transformation of slave suffering into na- tional suffering : " For years and generations God has been ...
... represented both a suffering slave population and a guilty white nation . Because he was a white man , the act of ... represent the transformation of slave suffering into na- tional suffering : " For years and generations God has been ...
Página 77
... represent the influence of the dead - manifest " in every future grain of wheat and ear of corn , and every flower that grows , and every breath we draw❞ — as it grows and changes over time . Whitman describes ( at the very least ) two ...
... represent the influence of the dead - manifest " in every future grain of wheat and ear of corn , and every flower that grows , and every breath we draw❞ — as it grows and changes over time . Whitman describes ( at the very least ) two ...
Página 130
... represent the reality of war . As the enduring popularity of Civil War photographs indicates , our tendency to accept the corpse as a sign of truth that might , in its felt intensity , encompass the whole of war is one important outcome ...
... represent the reality of war . As the enduring popularity of Civil War photographs indicates , our tendency to accept the corpse as a sign of truth that might , in its felt intensity , encompass the whole of war is one important outcome ...
Otras ediciones - Ver todas
John Brown's Body: Slavery, Violence, and the Culture of War Franny Nudelman Vista previa limitada - 2015 |
John Brown's Body: Slavery, Violence, & the Culture of War Franny Nudelman Vista previa limitada - 2004 |
Términos y frases comunes
abolitionist African American anatomy antebellum Antietam antislavery appear argues battle battlefield dead black soldiers blood Brown's execution burial buried Civil civilians collective commemorative Confederate context Copeland corporal punishment corpse culture dead body dead soldiers death describes discipline dissection dramatized Drum-Taps effort emancipation Emmett Till enlistment enslavement expression face figure Frederick Douglass Gardner gaze Gettysburg Gray hand Harper's Weekly identity images imagined inflicted insurrection insurrectionary John Brown John Brown's Body Julia Ward Lincoln living Lydia Maria Child lynching mass military executions mourners mourning narration narrative Nat Turner New-York Historical Society nineteenth-century Northern offered pain poems poetry political portray postmortem photographs produce racial representations scaffold scene sentimental slaveholders slavery slaves song Southern spectacle spectator speech suffering sympathy Till's tion transformation Union army University Press viewer violence Virginia Walker war's wartime Whitman Wise wounded writes York