 Shakespeare that he assumes as an unquestionable principle a position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its...  The Discourses of Sir Joshua Reynolds - Página 233por Sir Joshua Reynolds - 1842 - 279 páginasVista completa - Acerca de este libro
 | 1765 - 600 páginas
...understanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality j that any dramatic fable in its materiality was ever credible, or, for a jingle moment, was ever credited. ' The objection arifi.ng.from the impoffibility of pafllng the firff... | |
 | William Shakespeare - 1788 - 346 páginas
...position, which, while his breath is forming it into .M prds, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable, in its materiality, was ever credible, or, fora single moment, was ever credited.... | |
 | Vicesimus Knox - 1790 - 1058 páginas
...into words, his undcrftanding pronounces to be falfe. It is falfe, tnat any reprefentation is miftaken for reality ; that any dramatic fable, in its materiality, was ever credible, or, for a ungle moment, was ever credited. The objection arifing from the impoffibility of paffing the firft... | |
 | 1793 - 620 páginas
...words, his underftanding pronounces to be be fatfe. It is falfe, that any reprefentation is miltaken for reality ; that any dramatic fable in its materiality was ever credible, or for a fingle moment was ever credited. The objection arifing from the ïmpoifibility of paffing the firft... | |
 | 1802 - 630 páginas
...words, bis underllanding pronounces to be falfe. It is l'allé, that any reprefen tation is millaken for reality; that any dramatic fable in its materiality was ever credible, or for a lîngle moment was ever credited. The objection arifing from the impoííibility ot" palling the ririt... | |
 | William Shakespeare - 1803 - 494 páginas
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1804 - 256 páginas
...into words, his understanding pronounces to be false. It is faUe, that any representation is taken for reality ; that any dramatic fable, in its materiality, was ever credible, pr for a single moment was ever credited. " It will be asked how the drama moves, if it is not credited... | |
 | William Shakespeare - 1806 - 394 páginas
...position, which, while his breath is forming it .into words, his understanding pronounces io be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality •was ever credible, or, for a single moment, was ever •credited.... | |
 | Samuel Johnson - 1806 - 376 páginas
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Samuel Johnson - 1809 - 488 páginas
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Home,... | |
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