The Discourses of Sir Joshua ReynoldsJames Carpenter, 1824 - 279 páginas |
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... CONTRARY EXCELLENCIES . -THE EXPRESSION OF A MIXED PASSION NOT TO BE ATTEMPTED . - EXAMPLES OF THOSE WHO EXCELLED IN THE GREAT STYLE ; - RAFFAELLE , MICHAEL ANGELO , THOSE TWO EXTRAORDINARY MEN COMPARED WITH EACH OTHER . -THE CHARAC ...
... CONTRARY EXCELLENCIES . -THE EXPRESSION OF A MIXED PASSION NOT TO BE ATTEMPTED . - EXAMPLES OF THOSE WHO EXCELLED IN THE GREAT STYLE ; - RAFFAELLE , MICHAEL ANGELO , THOSE TWO EXTRAORDINARY MEN COMPARED WITH EACH OTHER . -THE CHARAC ...
Página 15
... This scrupulous exactness is so contrary to the practice of the Academies , that it is not without great deference , that I beg leave to recommend it to the consideration of the Visitors ; and THE FIRST DISCOURSE . 15.
... This scrupulous exactness is so contrary to the practice of the Academies , that it is not without great deference , that I beg leave to recommend it to the consideration of the Visitors ; and THE FIRST DISCOURSE . 15.
Página 21
... contrary , it is such a thought as must have occurred to every man in the like case , and have been one of the first in any person's mind upon the same occasion ; these reflections still do not render it difficult to distinguish ...
... contrary , it is such a thought as must have occurred to every man in the like case , and have been one of the first in any person's mind upon the same occasion ; these reflections still do not render it difficult to distinguish ...
Página 27
... , digesting independent hints , and collecting into one point the several rays of borrowed light , emitted often with contrary directions . " being received into the mind at the very time when THE SECOND DISCOURSE . 27.
... , digesting independent hints , and collecting into one point the several rays of borrowed light , emitted often with contrary directions . " being received into the mind at the very time when THE SECOND DISCOURSE . 27.
Página 34
... is of the most vital importance , as the first sketch haunts the work through every successive stage ; before putting the pencil to paper , there- The well - grounded painter , on the contrary , 34 THE SECOND DISCOURSE .
... is of the most vital importance , as the first sketch haunts the work through every successive stage ; before putting the pencil to paper , there- The well - grounded painter , on the contrary , 34 THE SECOND DISCOURSE .
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Términos y frases comunes
Academy acquired admirable advantage Albert Durer ancient antique appear artist attention beauty Carlo Maratti character Claude Lorrain colour composition considered contrary Correggio criticism defects degree dignity discourse drapery drawing dress effect elegance Elymas endeavour equal excellence exhibit expression figures finished Gainsborough genius give grace grandeur greater greatest habit higher highest idea imagination imitation instance invention justly kind knowledge labour landscape light and shade manner Marriage at Cana Masaccio masters means method Michael Angelo mind mode modern nature necessary never object observed opinion original ornaments painter painting passions Paul Veronese peculiar perfection perhaps picture Pietro Perugino poet poetry portraits possess Poussin practice principles produced racter Raffaelle reason Rembrandt Reynolds Roman school Rubens rules says sculpture seems shadow simplicity spectator student style sublime taste thing thought Tintoret Titian true truth Vandyck variety Venetian Venetian school Veronese vulgar whole wish
Pasajes populares
Página 161 - And worthy seemed, for in their looks divine The image of their glorious Maker shone, Truth, wisdom, sanctitude severe and pure, Severe, but in true filial freedom placed; Whence true authority in men; though both Not equal, as their sex not equal seemed; For contemplation he and valour formed, For softness she and sweet attractive grace, He for God only, she for God in him...
Página 220 - Or ounce, or tiger, hog, or bearded goat, All other parts remaining as they were ; And they, so perfect is their misery, Not once perceive their foul disfigurement, But boast themselves more comely than before ; And all their friends and native home forget, To roll with pleasure in a sensual sty.
Página 232 - He the best player!" cries Partridge, with a contemptuous sneer, "why, I could act as well as he myself. I am sure, if I had seen a ghost, I should have looked in the very same manner, and done just as he did.
Página 42 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Página 96 - Invention is one of the great marks of genius ; but if we consult experience, we shall find that it is by being conversant with the inventions of others, that we learn to invent : as by reading the thoughts of others, we learn to think.
Página 32 - You must have no dependence on your own genius. If you have great talents, industry will improve them : if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well-directed labour : nothing is to be obtained without it.
Página 233 - Shakespeare that he assumes as an unquestionable principle a position which, while his breath is forming it into words, his understanding pronounces to be false. It is false that any representation is mistaken for reality, that any dramatic fable in its materiality was ever credible, or, for a single moment, was ever credited.
Página 81 - Mankind, who by the mere Strength of natural Parts, and without any Assistance of Art or Learning, have produced Works that were the Delight of their own Times and the Wonder of Posterity.
Página 33 - He thinks in a peculiar train, and he thinks always as a man of genius; he looks round on Nature and on Life with the eye which Nature bestows only on a poet...
Página 40 - I have here offered, than that music, architecture, and painting, as well as poetry and oratory, are to deduce their laws and rules from the general sense and taste of mankind, and not from the principles of those arts themselves ; or, in other words, the taste is not to conform to the art, but the art to the taste.