Writing Television Sitcoms (revised)Penguin, 2009 M12 1 - 352 páginas This new edition of Writing Television Sitcoms features the essential information every would-be teleplay writer needs to know to break into the business, including: - Updated examples from contemporary shows such as 30 Rock, The Office and South Park - Shifts in how modern stories are structured - How to recognize changes in taste and censorship - The reality of reality television - How the Internet has created series development opportunities - A refined strategy for approaching agents and managers - How pitches and e-queries work - or don't - The importance of screenwriting competitions |
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... materials in violation of the author's rights. Purchase only authorized editions. PERIGEE is a registered trademark of Penguin Group (USA) Inc. The “P” design is a trademark belonging to Penguin Group (USA) Inc. PRINTING HISTORY First ...
... materials in violation of the author's rights. Purchase only authorized editions. PERIGEE is a registered trademark of Penguin Group (USA) Inc. The “P” design is a trademark belonging to Penguin Group (USA) Inc. PRINTING HISTORY First ...
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... Material. This book is designed to help both beginning and established writers. It is divided into three comprehensive sections: □ Part One of the book focuses on comedy writing theory. This section draws insights from existing schools ...
... Material. This book is designed to help both beginning and established writers. It is divided into three comprehensive sections: □ Part One of the book focuses on comedy writing theory. This section draws insights from existing schools ...
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... material is presented in Appendix B. Author's Credentials There aren't a lot of people who have worked on three different sides of the sitcom writing desk. During my thirty years in the business, I have served as a screenwriter (for ...
... material is presented in Appendix B. Author's Credentials There aren't a lot of people who have worked on three different sides of the sitcom writing desk. During my thirty years in the business, I have served as a screenwriter (for ...
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... material.) To land that agent or manager, you submit your samples to every industry person you can, trying to get someone who knows someone who knows someone to read your scripts. Eventually, if the work is good, someone will take you ...
... material.) To land that agent or manager, you submit your samples to every industry person you can, trying to get someone who knows someone who knows someone to read your scripts. Eventually, if the work is good, someone will take you ...
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... material as you try to scare up your next job. (The episode credit that you have already earned should make this easier.) If you are talented and tenacious, you might land a job on staff. Meaning, you are given a contract for a set ...
... material as you try to scare up your next job. (The episode credit that you have already earned should make this easier.) If you are talented and tenacious, you might land a job on staff. Meaning, you are given a contract for a set ...
Contenido
COMEDY INSEQUENCES AND SCENES | |
DOING YOUR HOMEWORK | |
DEVELOPING THE STORY | |
Chapter 10CREATING FUNNY CHARACTERS | |
WRITING THE FIRST DRAFT | |
REWRITING THE SCRIPT | |
LANDING AN AGENT ANDOR MANAGER | |
GETTING YOUR WORK OUT THERE | |
PITCHING FOR ASSIGNMENTS | |
LANDING ASTAFF | |
Chapter 20CREATING A NEW SERIES | |
TIME TO WRAP | |
APPENDIX B ADDITIONAL RESOURCES | |
INDEX | |
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Términos y frases comunes
actions actually agent already assignment audience beat become better break changes character’s characters comedy comes consider course create deal describe develop dialogue don’t draft episode example executives feel fees final five format funny give half happens heading hire humor idea important interest it’s joke keep land laughs lead look manager material means meeting move notes offer Office once outline person pilot pitch predicaments premise present probably problem producers professional punchline remember rewriting scene scene descriptions setup show’s sitcom someone sometimes space spec script staff start story studio talk television tension thing usually week writing written