Writing Television Sitcoms (revised)Penguin, 2009 M12 1 - 352 páginas This new edition of Writing Television Sitcoms features the essential information every would-be teleplay writer needs to know to break into the business, including: - Updated examples from contemporary shows such as 30 Rock, The Office and South Park - Shifts in how modern stories are structured - How to recognize changes in taste and censorship - The reality of reality television - How the Internet has created series development opportunities - A refined strategy for approaching agents and managers - How pitches and e-queries work - or don't - The importance of screenwriting competitions |
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... Chapter 11 - WRITING AN OUTLINE Chapter 12 - WRITING THE FIRST DRAFT Chapter 13 - REWRITING THE SCRIPT Part 3 - A Battle Plan for Launching Your Career Chapter 14 - STEP ONE: DEVELOPING ASTRATEGY Chapter 15 - Front Cover.
... Chapter 11 - WRITING AN OUTLINE Chapter 12 - WRITING THE FIRST DRAFT Chapter 13 - REWRITING THE SCRIPT Part 3 - A Battle Plan for Launching Your Career Chapter 14 - STEP ONE: DEVELOPING ASTRATEGY Chapter 15 - Front Cover.
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... drafts of a script. Along the way, it also describes the real-world dynamics that come into play when you are working on an actual script assignment, facing impossible deadlines and surly producers. □ Part Three offers up a no-nonsense ...
... drafts of a script. Along the way, it also describes the real-world dynamics that come into play when you are working on an actual script assignment, facing impossible deadlines and surly producers. □ Part Three offers up a no-nonsense ...
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... drafts of the script. In and out, you're done in three to five weeks. And you pocket enough change to cover twelve months of rent or maybe a dinner at L.A.'s newest bistro. Then, you keep writing spec scripts and circulating your ...
... drafts of the script. In and out, you're done in three to five weeks. And you pocket enough change to cover twelve months of rent or maybe a dinner at L.A.'s newest bistro. Then, you keep writing spec scripts and circulating your ...
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... draft. Too often, he does not bother to create a story outline first—a bad idea unless you are one of those obnoxious types who can completely map out a story in their head. Prior to circulating the script, the writer and his trusty ...
... draft. Too often, he does not bother to create a story outline first—a bad idea unless you are one of those obnoxious types who can completely map out a story in their head. Prior to circulating the script, the writer and his trusty ...
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... draft, which is then subjected to a seemingly endless cycle of rewriting. Much of this rewriting takes the form of roundtable writing, a process in which five, ten, or more writers jointly go through a script, rewriting line after line ...
... draft, which is then subjected to a seemingly endless cycle of rewriting. Much of this rewriting takes the form of roundtable writing, a process in which five, ten, or more writers jointly go through a script, rewriting line after line ...
Contenido
COMEDY INSEQUENCES AND SCENES | |
DOING YOUR HOMEWORK | |
DEVELOPING THE STORY | |
Chapter 10CREATING FUNNY CHARACTERS | |
WRITING THE FIRST DRAFT | |
REWRITING THE SCRIPT | |
LANDING AN AGENT ANDOR MANAGER | |
GETTING YOUR WORK OUT THERE | |
PITCHING FOR ASSIGNMENTS | |
LANDING ASTAFF | |
Chapter 20CREATING A NEW SERIES | |
TIME TO WRAP | |
APPENDIX B ADDITIONAL RESOURCES | |
INDEX | |
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Términos y frases comunes
actions actually agent already assignment audience beat become better break changes character’s characters comedy comes consider course create deal describe develop dialogue don’t draft episode example executives feel fees final five format funny give half happens heading hire humor idea important interest it’s joke keep land laughs lead look manager material means meeting move notes offer Office once outline person pilot pitch predicaments premise present probably problem producers professional punchline remember rewriting scene scene descriptions setup show’s sitcom someone sometimes space spec script staff start story studio talk television tension thing usually week writing written