HamletManchester University Press, 1995 - 261 páginas In this illuminating study, Anthony Dawson surveys the stage history of Hamlet from its appearance in Shakespeare's time to the efflorescence of new and challenging productions in our own. He vividly re-creates more than a dozen representative performances across three centuries. Bringing together theatre history and the interests of cultural criticism and performance theory, Dawson traces the Anglo-American acting tradition and provides a succinct account of the interpretative problems associated with texts, character, design, and the production of meaning. The final chapters extend the analysis to a number of film versions, notably those of Olivier, Kozintsev and Zeffirelli, as well as to several important European stage productions. |
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Página 10
... meta- theatricality ' , i.e. , its obsession with the art and effect of the theatre . Hamlet's fictionality , rather than his authenticity , be- came primary ; he and his readers ( and it was mostly through reading that this move took ...
... meta- theatricality ' , i.e. , its obsession with the art and effect of the theatre . Hamlet's fictionality , rather than his authenticity , be- came primary ; he and his readers ( and it was mostly through reading that this move took ...
Página 15
... meta - theatrical awareness on both characters and spectators . In a sense , then , the scenography moved from Victorian / Edwardian effects to 1960s and 1970s meta - theatricality and then into post - modern- ism , recapitulating ...
... meta - theatrical awareness on both characters and spectators . In a sense , then , the scenography moved from Victorian / Edwardian effects to 1960s and 1970s meta - theatricality and then into post - modern- ism , recapitulating ...
Página 241
... meta - theatricality of Hamlet , to register how it both tells a story by representing actions and characters and tracks the process of representation itself . Many of the European versions , espe- cially from western Europe ( Mesguich ...
... meta - theatricality of Hamlet , to register how it both tells a story by representing actions and characters and tracks the process of representation itself . Many of the European versions , espe- cially from western Europe ( Mesguich ...
Contenido
Performing Hamlets meanings | 1 |
Hamlet on stage 16001900 | 23 |
old ways meet the new stagecraft | 67 |
Derechos de autor | |
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