The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 76
... style , Matisse taught basic figure drawing rather than how to work in the same style as him- self . Teaching now obliges an artist to instruct others in techniques and styles that , at times , may be wholly opposed to his or her own ...
... style , Matisse taught basic figure drawing rather than how to work in the same style as him- self . Teaching now obliges an artist to instruct others in techniques and styles that , at times , may be wholly opposed to his or her own ...
Página 116
... Style During the winter of 1906 and 1907 , Pablo Picasso painted Les Demoi- selles d'Avignon , a work that was a breakthrough for both figurative and cubist art . Drawing on African influences and defying Western art's tra- dition of ...
... Style During the winter of 1906 and 1907 , Pablo Picasso painted Les Demoi- selles d'Avignon , a work that was a breakthrough for both figurative and cubist art . Drawing on African influences and defying Western art's tra- dition of ...
Página 118
... style really means changing an audience , " painter Alex Katz said . " If an artist has a small audience , changing a style is no prob- lem . If he has a large audience , then many people become upset . Dealers are in the commodity ...
... style really means changing an audience , " painter Alex Katz said . " If an artist has a small audience , changing a style is no prob- lem . If he has a large audience , then many people become upset . Dealers are in the commodity ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |