The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 25
... require considerable organization on the artist's part ; and it may be much more difficult to arrange major shows in ... requiring the buyer of the artwork to pay back some percent- age of the profit when that person later sells the work ...
... require considerable organization on the artist's part ; and it may be much more difficult to arrange major shows in ... requiring the buyer of the artwork to pay back some percent- age of the profit when that person later sells the work ...
Página 62
... requiring artists to pay an entry fee . So far this effort has met with limited success . The National Endowment for ... requires a fee . It's unlikely that the panelists would deny a good organization fund- ing because of the one show ...
... requiring artists to pay an entry fee . So far this effort has met with limited success . The National Endowment for ... requires a fee . It's unlikely that the panelists would deny a good organization fund- ing because of the one show ...
Página 166
... require the artists to have a liability policy ( valued at up to $ 1 million in some cases ) , at least during the work's installation . Premiums for these policies may come to more than $ 5,000 a year , sometimes eating up much of the ...
... require the artists to have a liability policy ( valued at up to $ 1 million in some cases ) , at least during the work's installation . Premiums for these policies may come to more than $ 5,000 a year , sometimes eating up much of the ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
acrylics Alex Katz American Andy Warhol art advisors art dealers art galleries art schools art world arts agencies Arts Commission Arts Council arts organizations artwork Avenue become buyers cards career Center Church collectors Colony color companies corporate cost create critics Cultural director entry fees exhibitions Foundation frame Frank Stella Franz Kline gallery owners groups Holography images individual instance institutions James Rosenquist juried Larry Rivers living look major museum noted number of artists one's Pablo Picasso painter painting paper percent Percent-for-Art person Philip Guston Philip Pearlstein photographs Picasso pieces portrait potential prints professional published resume sculptor sell slide registry sold someone Street studio style Suite T.S. Eliot teaching tend tions trompe l'oeil Visual Artists Volunteer Lawyers Washington watercolors West Willem de Kooning York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |