The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 93
... never hear anywhere else . Some of that admit- tedly is very grim stuff , about torture and the real seedy side of life . ” Her favorite subjects to draw ( she uses pastels ) are jurors " who sit patiently listening to testimony ...
... never hear anywhere else . Some of that admit- tedly is very grim stuff , about torture and the real seedy side of life . ” Her favorite subjects to draw ( she uses pastels ) are jurors " who sit patiently listening to testimony ...
Página 96
... never met who just know my costumes . They've never seen my sculpture and are often surprised when I mention that's what I ordinarily do . " Robert Kushner , a painter , also became involved in designing for the- ater through personal ...
... never met who just know my costumes . They've never seen my sculpture and are often surprised when I mention that's what I ordinarily do . " Robert Kushner , a painter , also became involved in designing for the- ater through personal ...
Página 147
... never thought I could make a living at it , " he said . " The fellows I used to work with find it hard to connect me with the person they see getting written up in art publica- tions . I never thought of myself as a sculptor HOW ARTISTS ...
... never thought I could make a living at it , " he said . " The fellows I used to work with find it hard to connect me with the person they see getting written up in art publica- tions . I never thought of myself as a sculptor HOW ARTISTS ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |