The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 61
... juried art competitions . No one would expect a dancer or actor to pay in order to audition for a part , nor would a writer be asked to send in a check along with the manuscript for a publisher to read it . The visual arts , however ...
... juried art competitions . No one would expect a dancer or actor to pay in order to audition for a part , nor would a writer be asked to send in a check along with the manuscript for a publisher to read it . The visual arts , however ...
Página 62
... juried art shows requiring artists to pay an entry fee . So far this effort has met with limited success . The National Endowment for the Arts has been reluctant to create a policy of this kind although , on a practical level , it has ...
... juried art shows requiring artists to pay an entry fee . So far this effort has met with limited success . The National Endowment for the Arts has been reluctant to create a policy of this kind although , on a practical level , it has ...
Página 127
... juried art competition . Re- gional juried shows do not tend to attract as much of the country's small body of watercolor collectors as those competitions sponsored by the national watercolor associations , and prices for works reflect ...
... juried art competition . Re- gional juried shows do not tend to attract as much of the country's small body of watercolor collectors as those competitions sponsored by the national watercolor associations , and prices for works reflect ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |