The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 23
Daniel Grant. Chapter 2 . Contracts with Dealers and Print Publishers Landing a dealer , whether or not that person is a ma- jor figure in the art world , is not the end of an artist's art business con- cerns . If art dealers were as ...
Daniel Grant. Chapter 2 . Contracts with Dealers and Print Publishers Landing a dealer , whether or not that person is a ma- jor figure in the art world , is not the end of an artist's art business con- cerns . If art dealers were as ...
Página 27
... dealers is important , but it is equally valuable for artists to develop strong personal and professional relation- ships with their dealers . The dealer should be aware of which ideas the artist is pursuing , any changes in the work ...
... dealers is important , but it is equally valuable for artists to develop strong personal and professional relation- ships with their dealers . The dealer should be aware of which ideas the artist is pursuing , any changes in the work ...
Página 38
... dealer will be split between the artist and the dealer on the same percentage basis as when a work is sold . Some dealers consign works they represent to the sales and rental galleries of museums as a way to help out the institutions ...
... dealer will be split between the artist and the dealer on the same percentage basis as when a work is sold . Some dealers consign works they represent to the sales and rental galleries of museums as a way to help out the institutions ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |