The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 104
... colors , such as alizarine crimson or Hooker's Green , are terribly fugitive and tend to fade quickly . The color ingredients used to replace the traditional pigments are said to make these colors much more permanent . The cost of other ...
... colors , such as alizarine crimson or Hooker's Green , are terribly fugitive and tend to fade quickly . The color ingredients used to replace the traditional pigments are said to make these colors much more permanent . The cost of other ...
Página 105
... color shifts by adding yellow to the cadmium hue and green to the cobalt hue . The hues are not the same , and artists find themselves having to work harder to preserve what they thought they had . Perhaps , between 20 and 30 percent of ...
... color shifts by adding yellow to the cadmium hue and green to the cobalt hue . The hues are not the same , and artists find themselves having to work harder to preserve what they thought they had . Perhaps , between 20 and 30 percent of ...
Página 147
... color and light . Adja Yunkers was practically blind in his last years , bending over to look at his colors close up . His late paintings , often composed of one or two simple colors , have been highly praised . The artist frequently ...
... color and light . Adja Yunkers was practically blind in his last years , bending over to look at his colors close up . His late paintings , often composed of one or two simple colors , have been highly praised . The artist frequently ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |