The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
Dentro del libro
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Página 51
... become available to artists , some quite expensive , which may or may not help advance a career . Artists ... BECOME A RIP - OFF ? 51 When Does Investing in One's Career Become a Rip-Off?
... become available to artists , some quite expensive , which may or may not help advance a career . Artists ... BECOME A RIP - OFF ? 51 When Does Investing in One's Career Become a Rip-Off?
Página 124
... becoming involved with them , as in the case of fiber art . Photography and graffiti art have become part of museum collections where they had in the past been viewed as , respectively , mere craft and urban blight . Rubber stamp art ...
... becoming involved with them , as in the case of fiber art . Photography and graffiti art have become part of museum collections where they had in the past been viewed as , respectively , mere craft and urban blight . Rubber stamp art ...
Página 133
... become a matter of public concern , limiting their freedom . Many aspects of the artist's lifestyle – - with the exception , of course , of the general poverty of most artists - were appropriated by members of the middle class , the ...
... become a matter of public concern , limiting their freedom . Many aspects of the artist's lifestyle – - with the exception , of course , of the general poverty of most artists - were appropriated by members of the middle class , the ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |