The Business of Being an ArtistThis text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 42
She added that “ comments may frequently be inane , such as ' Well , it certainly is a large painting , ' and the artist should respond with something like , ' I'm glad you noticed that . What else do you see in my work ?
She added that “ comments may frequently be inane , such as ' Well , it certainly is a large painting , ' and the artist should respond with something like , ' I'm glad you noticed that . What else do you see in my work ?
Página 92
A painter of barroom scenes who has exhibited her work in Hartford and South Glastonbury , she added that " you have to be ready on five minutes notice , and it's best if you don't have kids . ” Ruth Pollack , a painter in New York City ...
A painter of barroom scenes who has exhibited her work in Hartford and South Glastonbury , she added that " you have to be ready on five minutes notice , and it's best if you don't have kids . ” Ruth Pollack , a painter in New York City ...
Página 139
Golub added , however , that he directs that resentment elsewhere - at limited thinking in the art world , for instance — and not at his wife . The tension and sense of competition may be too great for some marriages .
Golub added , however , that he directs that resentment elsewhere - at limited thinking in the art world , for instance — and not at his wife . The tension and sense of competition may be too great for some marriages .
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Crítica de los usuarios - MountHolyoke - LibraryThingIf you have heard the old refrain that artists make no money and you're beginning to fear that this may become true for you too, then this book is for you. Daniel Grant has created a comprehensive ... Leer comentario completo
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest keep kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problems professional programs published receive represent require sculptor sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |
Información bibliográfica
| Título | The Business of Being an Artist |
| Autor | Daniel Grant |
| Editor | Allworth Press, 1991 |
| Procedencia del original | Universidad de Michigan |
| Digitalizado | 9 Nov. 2007 |
| ISBN | 0960711856, 9780960711857 |
| Largo | 224 páginas |
| Exportar cita | BiBTeX EndNote RefMan |