The Business of Being an ArtistAllworth Press, 1991 - 224 páginas This text explains how an artist can: get exhibited; find galleries; promote their work; choose a second career; use safe materials; win grants; and handle criticism. |
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Página 11
... university galleries are in a class by themselves , not as po- tentially lucrative as commercial gallery exhibits but of a higher prestige than the town arts center or cooperative space . University galleries expose work to the public ...
... university galleries are in a class by themselves , not as po- tentially lucrative as commercial gallery exhibits but of a higher prestige than the town arts center or cooperative space . University galleries expose work to the public ...
Página 72
... university , where salaries are better than what most artists are able to earn by selling their work . They imagine only a few hours per week of required teaching with the remaining time open for artmaking . It is true that most art ...
... university , where salaries are better than what most artists are able to earn by selling their work . They imagine only a few hours per week of required teaching with the remaining time open for artmaking . It is true that most art ...
Página 106
... University , University of Delaware , University of North Carolina at Greensboro , the Pennsylvania Academy of Art and Yale University School of Art among them - offer courses on art materials , instructing students in the composition ...
... University , University of Delaware , University of North Carolina at Greensboro , the Pennsylvania Academy of Art and Yale University School of Art among them - offer courses on art materials , instructing students in the composition ...
Contenido
Introduction | 7 |
Contracts with Dealers and Print Publishers | 23 |
When Does Investing in Ones Career Become a RipOff? | 51 |
Derechos de autor | |
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Términos y frases comunes
able agencies American applying art world artists Arts Commission Arts Council artwork Association Avenue become better Building buyers career Center changes Church collections collectors Commission companies corporate cost Council create critics Cultural dealers Department director exhibitions fees Foundation frame gallery give groups important individual instance institutions interest kind Lawyers less living look major materials Michigan museum never North noted one's organizations P.O. Box painter painting percent person picture pieces portrait potential prints problem professional programs published receive represent require sculpture sell slides South Street studio style success Suite teaching tend thing tions University usually Visual Volunteer Washington West York City
Referencias a este libro
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art Gil Troy,Olav Velthuis Vista previa limitada - 2005 |
Careers in Art: An Illustrated Guide Gerald F. Brommer,Joseph A. Gatto Sin vista previa disponible - 1999 |