See also Victorian Anthology, pages 307, 569, 153, 57, 70, 164, 277, 257, 549, 292, 514, 538, 155, 584, 409, 116, 37. 1 A BRIDAL SONG. By John Fletcher. (Schelling, page 160) "Roses, their sharp spines being cone, But in their hue; Daisies smell-less, yet most quaint, Primrose, first-born child of Ver, Oxlips in their cradles growing, All dear Nature's children sweet, Not an angel of the air, Bird melodious, or bird fair, Be absent hence! Even the Victorian Bridal Song is not without its dark side. BALLAD OF A BRIDAL. By Edith Bland. (Vic. An. page 561) "Oh, fill me flagons full and fair, And, maidens mine, my bower prepare, Braid up my hair with gem and flower, The day has dawned that brings the hour They decked her bower with roses blown, And sewed more jewels on her gown 'Tapers at the bed's foot,' she saith, (It seemed more like the bed of death For other convivial lyrics, see Schelling, pages 26, 93, of the Sailor; 117, 496, Unhappiness of Life; 616, Squatter; 40, Western; 308, 216, Patriotic. The term Lullaby is used only by the Elizabethans; the Victorians use such terms as slumber song, or mother's song. We find much the same difference between these little songs of the Elizabethans and Victorians as between the other classes of lyrics. There is the sparkle and gaiety in the lullabys for the tiny Elizabethan "sover ein;" the tone of gentleness and delicacy in the songs for The cry of her baby meant for the Elizabethan mother |