Self-cultivation in English: And The Glory of the ImperfectHoughton Mifflin, 1917 - 69 páginas |
Dentro del libro
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Página 9
... artistic , a creative , element which education is learning every year to prize more highly . The old mechanical curriculum , where the same studies were presented to all minds , is gone . We now see that some sort of personal response ...
... artistic , a creative , element which education is learning every year to prize more highly . The old mechanical curriculum , where the same studies were presented to all minds , is gone . We now see that some sort of personal response ...
Página 31
... artist . Now something of this large requirement which composition makes , the young writer instinctively feels , and he is terrified . He knows how ill - fitted he is to direct " toil coöperant to an end " ; and when he sits down to ...
... artist . Now something of this large requirement which composition makes , the young writer instinctively feels , and he is terrified . He knows how ill - fitted he is to direct " toil coöperant to an end " ; and when he sits down to ...
Página 32
... artistic composition by noticing what should be said first , what second and what third . I cannot leave this subject , however , without con- gratulating the present generation on its advantages over mine . Children are brought up to ...
... artistic composition by noticing what should be said first , what second and what third . I cannot leave this subject , however , without con- gratulating the present generation on its advantages over mine . Children are brought up to ...
Página 34
... artist is always doing . He has at once the ability to see for himself and the ability to see himself as others see him . He can lead two lives as easily as one life ; or rather , he has trained himself to consider that other life as of ...
... artist is always doing . He has at once the ability to see for himself and the ability to see himself as others see him . He can lead two lives as easily as one life ; or rather , he has trained himself to consider that other life as of ...
Página 36
... artist and the moral man is interesting through its inexhaustibility ; and he who serves his fellows by writing or by speech is artist and moral man in one . Writing a letter is a simple matter , but it is a moral matter and an artistic ...
... artist and the moral man is interesting through its inexhaustibility ; and he who serves his fellows by writing or by speech is artist and moral man in one . Writing a letter is a simple matter , but it is a moral matter and an artistic ...
Otras ediciones - Ver todas
Self-cultivation in English and The Glory of the Imperfect George Herbert Palmer Vista completa - 1898 |
Self-cultivation in English: And The Glory of the Imperfect George Herbert Palmer Vista completa - 1917 |
Términos y frases comunes
Abraham Lincoln accuracy Æneid America Arnold attention beauty and distinction Books I-III Burroughs Burroughs's CHICAGO DALLAS Christmas Carol command coöperant cultivate delight dili distinguished dull Emerson English blank verse English language enlarge essay eyes feel GEORGE HERBERT GEORGE HERBERT PALMER glory Greek Harvard University Hawthorne's Herodotus Homer human character Iliad imperfect Jesus language lish literary power live Longfellow's look Macaulay's masterpieces mastery matter Matthew Arnold mean ment merely MIFFLIN COMPANY BOSTON mind moral morality and art ness never observe ourselves PALMER paper passion for perfection person piece Poems precepts precision Riverside Literature Series Scudder's SELF-CULTIVATION IN ENGLISH sentence Shakespeare's Sophocles speaker speech Standish Stories sympathize talk teach teacher tence thoughts tion tivate to-day tongue Translated into English uninteresting land utter Vocabulary Western Reserve University Whittier's Wiggin Wilton House wish words
Pasajes populares
Página 21 - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered. No member of his speech, but consisted of his own graces. His hearers could not cough, or look aside from him, without loss. He commanded where he spoke ; and had his judges angry and pleased at his devotion.
Página 38 - Lord, how is it that thou wilt manifest thyself unto us, and not unto the world ? Jesus answered and said unto him, If a man love me, he will keep my words, and my Father will love him, and we will come unto him, and make our abode with him. He that loveth me not keepeth not my sayings: and the word which ye hear is not mine, but the Father's which sent me.
Página 27 - Like the bad cook, we seize the frying-pan whenever we need to fry, broil, roast, or stew, and then we wonder why all our dishes taste alike while in the next house the food is appetizing. It is all unnecessary. Enlarge the vocabulary. Let any one who wants to see himself grow, resolve to adopt two new words each week. It will not be long before the endless and enchanting variety of the world will begin to reflect itself in his speech, and in his mind as well. I know that when we use a word for the...
Página 58 - We are faulty — why not ? we have time in store. The Artificer's hand is not arrested With us; we are rough-hewn, nowise polished: They stand for our copy, and, once invested With all they can teach, we shall see them abolished.
Página 37 - Their theory and practice alike, the admirable treatise of Aristotle, and the unrivalled works of their poets, exclaim with a thousand tongues — "All depends upon the subject; choose a fitting action, penetrate yourself with the feeling of its situations; this done, everything else will follow.
Página 23 - We must not, before beginning a sentence, decide what the end shall be; for if we do, nobody will care to hear that end. At the beginning, it is the beginning which claims the attention of both speaker and listener, and trepidation about going on will mar all. We must give our thought its head, and not drive it with too tight a rein, nor grow timid when it begins to prance a bit. Of course we must retain coolness in courage, applying the results of our previous discipline in accuracy; but we need...
Página 24 - English," in which for the sake of a dull accord with usage all the picturesque, imaginative, and forceful employment of words is sacrificed. Of course we must use words so that people can understand them, and understand them, too, with ease ; but this once granted, let our language be our own, obedient to our special needs. "Whenever...
Página 16 - It is commonly supposed that when a man seeks literary power he goes to his room and plans an article for the press. But this is to begin literary culture at the wrong end. We speak a hundred times for every once we write. The busiest writer produces little more than a volume a year, not so much as his talk would amount to in a week. Consequently through speech it is usually decided whether a man is to have command of his language or not.
Página 39 - It is that we should dp_the work, and not think about it^ do it day after dayjmd not grow weary in bad doing. Early and often we must be busy, and be satisfied to have a great deal of labor produce but a small result. I am told that early in life John Morley, wishing to engage in journalism, wrote an editorial and sent it to a paper every day for nearly a year before he succeeded in getting one accepted. We all know what a power he became in London journalism. I will not vouch for the truth of this...
Página 26 - Is this because ordinary people have only three or four thousand things to say ? Not at all. It is simply due to dulness. Listen to the average schoolboy. He has a dozen or two nouns, half a dozen verbs, three or four adjectives, and enough conjunctions and prepositions to stick the conglomerate together. This ordinary speech deserves the description which Hobbes gave to his State of Nature, that "it is solitary, poor, nasty, brutish, and short.