SELF-CULTIVATION IN ENGLISH

ENGLISH study has four aims: the mastery of our language as a science, as a history, as a joy, and as a tool. I am concerned with but one, the mastery of it as a tool. Philology and grammar present it as a science; the one attempting to follow its words, the other its sentences, through all the intricacies of their growth, and so to manifest laws which lie hidden in these airy products no less than in the moving stars or the myriad flowers of spring. Fascinating and important as all this is, I do not recommend it here. For I want to call attention only to that sort of English study which can be carried on without any large apparatus of books. For a reason similar, though less cogent, I do not urge historical study. Probably the current of English literature is more attractive through its continuity than that of any other nation. Notable works in verse and prose have appeared in long succession, and without gaps intervening, in a way that would be hard to parallel in any other language known to man. A bounteous endowment this for every English speaker, and one which should stimulate us to trace the marvellous and close-linked

progress from the times of the Saxons to those of Tennyson and Kipling. Literature too has this advantage over every other species of art study, that everybody can examine the original masterpieces and not depend on reproductions, as in the cases of painting, sculpture, and architecture; or on intermediate interpretation, as in the case of music. To-day most of these masterpieces can be bought for a trifle, and even a poor man can follow through centuries the thoughts of his ancestors. But even so, ready of access as it is, English can be studied as a history only at the cost of solid time and continuous attention, much more time than the majority of those for whom I am writing can afford. By most of us our mighty literature cannot be taken in its continuous current, the later stretches proving interesting through relation with the earlier. It must be taken fragmentarily, if at all, the attention delaying on those parts only which offer the greatest beauty or promise the best exhilaration. In other words, English may be possible as a joy where it is not possible as a history. In the endless wealth which our poetry, story, essay, and drama afford, every disposition may find its appropriate nutriment, correction, or solace. He is unwise, however busy, who does not have his loved authors, veritable friends with whom he takes refuge in the intervals of work and by whose intimacy he enlarges, refines, sweetens, and emboldens his own limited existence.

Yet the fact that English as a joy must largely be conditioned by individual taste prevents me from offering general rules for its pursuit. The road which leads one man straight to this joy leads another to tedium. In all literary enjoyment there is something incalculable, something wayward, eluding the precision of rule, and rendering inexact the precepts of him who would point out the path to it. While I believe that many suggestions may be made, useful to the young enjoyer and promotive of his wise vagrancy, I shall not undertake here the complicated task of offering them. Let enjoyment go, let history go, let science go, and still English remains-English as a tool. Every hour our language is an engine for communicating with others, every instant for fashioning the thoughts of our own minds. I want to call attention to the means of mastering this curious and essential tool, and to lead every one who reads me to become discontented with his employment of it.

The importance of literary power needs no long argument. Everybody acknowledges it, and sees that without it all other human faculties are maimed. Shakespeare says that death-bringing time "insults o'er dull and speechless tribes." It and all who live in it insult over the speechless person. So mutually dependent are we that on our swift and full communication with one another is staked the success of almost every scheme we form. He who can explain himself

may command what he wants. He who cannot is left to the poverty of individual resource; for men do what we desire only when persuaded. The persuasive and explanatory tongue is, therefore, one of the chief levers of life. Its leverage is felt within us as well as without, for expression and thought are integrally bound together. We do not first possess completed thoughts and then express them. The very formation of the outward product extends, sharpens, enriches the mind which produces, so that he who gives forth little after a time is likely enough to discover that he has little to give forth. By expression too we may carry our benefits and our names to a far generation. This durable character of fragile language puts a wide difference of worth between it and some of the other great objects of desire, — health, wealth, and beauty, for example. These are notoriously liable to accident. We tremble while we have them. But literary power, once ours, is more likely than any other possession to be ours always. It perpetuates and enlarges itself by the very fact of its existence and perishes only with the decay of the man himself. For this reason, because more than health, wealth, and beauty, literary style may be called the man, good judges have found in it the final test of culture and have said that he, and he alone, is a well-educated person who uses his language with power and beauty. The supreme and ultimate product of civilization, it

has well been said, is two or three persons talking together in a room. Between ourselves and our language there accordingly springs up an association peculiarly close. We are as sensitive to criticism of our speech as of our manners. The young man looks up with awe to him who has written a book, as already half divine; and the graceful speaker is a universal object of envy.

But the very fact that literary endowment is immediately recognized and eagerly envied has induced a strange illusion in regard to it. It is supposed to be something mysterious, innate in him who pos.sesses it and quite out of the reach of him who has it not. The very contrary is the fact. No human employment is more free and calculable than the winning of language. Undoubtedly there are natural aptitudes for it, as there are for farming, seamanship, or being a good husband. But nowhere is straight work more effective. Persistence, care, discriminating observation, ingenuity, refusal to lose heart, traits which in every other occupation tend toward excellence, - tend toward it here with special security. Whoever goes to his grave with bad English in his mouth has no one to blame but himself for the disagreeable taste; for if faulty speech can be inherited, it can be exterminated too. I hope to point out some of the methods of substituting good English for bad. And since my space is brief, and I wish to