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538

539

540

541

542

543

544

545

546

S. BARING-GOULD

UNKNOWN.

P. GERHARDT, 1656, tr. Miss WINKWORTH.

Mrs. C. F. ALEXANDER 1848
SAMUEL C. CLARKE....1881
Mrs. C. F. ALEXANDER 1853
Bp. J. R. WOODFORD..1852
Mrs. C. F. ALEXANDER 1848
FRANCESR. HAVERGAL 1871
T. B. POLLOCK

.1865

UNKNOWN.

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..1876

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611

612

613

614

CHARLOTTE ELLIOTT,

Dr. THOS. HASTINGS ..1858
Rev. THEO. MONOD ...1874
MARY A. L. BARBER ..1838

.SYNESIUS, 410, tr. A. W. CHATFIELD

alt., 1836

615

616

617

618

619

620

621

622

623

.1876

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624

625

ADELAIDE A. PROCTER 1858

P. GERHARDT, 1653, tr. JOHN WESLEY.

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ADELAIDE A. PROCTER 1862

.B. SCHMOLCK, 1704, tr. JANE BORTHWICK .1854

W. F. LLOYD.

O. W. HOLMES.

J. N. DARBY

ELLEN ELLIS.

JANE BORTHWICK

H. BONAR..

..1739

.1835

.1859

.1858

1858

...1859

...1857

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658

G. TERSTEEGEN, 1729, tr. JOHN WESLEY.

.1738

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668 SAMUEL RODIGAST, 1675, tr. Miss WINKWORTH..

.1858

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APPENDIX

UNDER THE FOLLOWING RESOLUTION ADOPTED BY THE GENERAL CONVENTION, IN BALTIMORE, OCTOBER, 1892 :

Resolved. -That a Commission be constituted with power to make a pointing for music of the GLORIA PATRI, the CANTICLES OF MORNING PRAYER, including TE DEUM LAUDAMUS, and BENEDICITE, OMNIA OPERA DOMINI, and the CANTICLES OF EVENING PRAYER. together with the ANTHEMS FOR EASTER DAY and THANKSGIVING DAY, and to print the same in the Hymnal as an Appendix.

[Attest.] CHARLES L. HUTCHINS,

Secretary of the House of Deputies.

THE MORNING AND EVENING

CANTICLES

AND

OCCASIONAL ANTHEMS

POINTED FOR CHANTING BY THE COMMISSION ACTING UNDER THE AUTHORITY OF THE GENERAL CONVENTION.

(H. A. NEELY, Chairman.

ATTEST. CHAS. L. HUTCHINS, Secretary.

N putting forth this pointing of the Canticles, etc.,

Convention, the Commission would call attention to the great importance and practical usefulness of the following suggestions taken from the preface to the "Cathedral Psalter:"

1. The words, from the commencement of each verse and half-verse, up to the accented syllable, are called the Recitation.

2. On reaching the accented syllable, and beginning with it, the music of the chant commences, in strict time (a tempo), the upright strokes corresponding to the bars. The Recitation must therefore be considered as outside the chant, and may be of any length. The note on which the Recitation is made is called the Reciting-note. 3. If there is no syllable after that which is accented, the accented syllable must be held for one whole bar or

measure.

4. An asterisk (*) is a direction to take breath. Other stops (, ) must be attended to as in good reading.

5. As the accent holds the position of the first beat of the first bar, it is unnecessary to sing it louder than any of the words recited: its position, musically, will give it quite enough emphasis.

MORNING CANTICLES.

O

Venite, exultemus Domino.

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