There through the sweet and toilsome day, To labor is to pray; There love with kindly beaming eyes And voice and innocent smile Of childhood do our cheerful liturgies There, at his chaste and frugal feast, And with mild eyes and mien sedate, Paten and chalice range in order ser- And when ere night, the vespers said, Or what the fair dreams given Then not within a cloistered wall But dawns that break and eves that Shall bring their dues of praise. able fear. WILLIAM MORRIS. 1834 [BORN near London in 1834. Educated at Forest School, Walthamstow, at Marlborough, and at Exeter College, Oxford. Studied painting, but did not succeed in that profession. In 1858, published The Defence of Guenevere, and Other Poems. In 1863, with several partners, he Started in London an establishment for the artistic designing and manufacturing of various articles, especially wall paper, stained glass, tiles, and household decorations. At this business he has wrought as a designer, devoting his leisure to the composition of poetry. He published in 1867 The Life and Death of Jason; The Earthly Paradise, in 3 vols., 1868-1870. His later publications are The Eneid of Virgil done into English Verse, 1876: The Story of Sigurd, the Volsung, and The Fall of the Niblungs, 1877. He has also aided in the work of translating several volumes from the Icelandic.] A samite cloth of white and red; A rose lay on my face. Many a time I tried to shout; With inward sigh I see the sun Sometimes strange thoughts passthrough Not like a tomb is this my bed, That round my tomb is writ, Knight of the Table Round, I enter'd by the western door; I saw a knight's helm lying there: I raised my eyes from off the floor, And caught the gleaming of his hair. I stept full softly up to him; I laid my chin upon his head; "There comes no sleep nor any love." But Galahad stoop'd and kiss'd his brow: He shiver'd; I saw his pale lips move. SIR OZANA. There comes no sleep nor any love; God move me to thee, dear, to-night! Christ help! I have but little wit: My life went wrong; I see it writ, From full hearts still unsatisfied ye sigh, And, feeling kindly unto all the earth, Grudge every minute as it passes by, Made the more mindful that the sweet days die Remember me a little then I pray, The idle singer of an empty day. The heavy trouble, the bewildering care That weighs us down who live and earn our bread, These idle verses have no power to bear; That through one window men beheld the spring, And through another saw the summer glow, And through a third the fruited vines a-row, While still, unheard, but in its wonted way, Piped the drear wind of that December day. So with this Earthly Paradise it is, If ye will read aright, and pardon me, Who strive to build a shadowy isle of bliss Midmost the beating of the steely sea, Where tossed about all hearts of men must be; Whose ravening monsters mighty men shall slay, Not the poor singer of an empty day. ALGERNON CHARLES SWINBURNE. 1837 [SON of the late Admiral Charles Henry Swinburne; born in London, April 5, 1837. He entered Balliol College, Oxford, in 1857, but left the University without taking a degree. He afterwards visited Florence and spent some time with Walter Savage Landor. His first production, The Queen Mother, and Rosamond, two plays, appeared in 1861. These were followed by Atalanta in Calydon, a Tragedy, in 1864: Chastelard, a Tragedy, in 1865; and Poems and Ballads, in 1866; published in New York under the title Laus Veneris. His later poetical works are A Song of Italy, 1867: Siena, a Poem, 1868; Bothwell, a Tragedy, 1870; Songs before Sunrise, 1871: Erechtheus, a drama on the Greek model, 1875; Poems and Ballads, (second series) 1878; Studies in Song, 1881; Tristam of Lyonesse, 1882; and A Century of Roundels, 1883.] Where shall we find her, how shall we sing to her, Fold our hands round her knees, and cling? O that man's heart were as fire and could spring to her Fire, or the strength of the streams that spring! For the stars and the winds are unto her As raiment, as songs of the harp-player; For the risen stars and the fallen cling to her, And the south west-wind and the westwind sing. For winter's rains and ruins are over, And all the season of snows and sins; The days dividing lover and lover, The light that loses, the night that wins; And time remembered is grief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins. The full streams feed on flower of rushes, Ripe grasses trammel a travelling foot, The faint fresh flame of the young year flushes From leaf to flower and flower to fruit; And fruit and leaf are as gold and fire, And the oat is heard above the lyre, And the hoofed heel of a satyr crushes The chestnut-husk at the chestnut But the berried ivy catches and cleaves To the limbs that glitter, the feet that scare The wolf that follows, the fawn that flies. FROM THE GARDEN OF PALE, beyond porch and portal, With cold immortal hands; She waits for all men born; The life of fruits and corn; And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all disastrous things; Red strays of ruined springs. And joy was never sure; Time stoops to no man's lure; Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; Winds somewhere safe to sea. |