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THE

QUARTERLY REVIEW.

ART. I.-The Kembles: an Account of the Kemble Family; including the lives of Mrs. Siddons and her brother, John Philip Kemble. By Percy Fitzgerald, M.A., F.S.A. Author of The Life of Garrick.' 2 vols. London, 1871.

TH

HE Lives of the Kembles by Boaden and Campbell are undoubtedly poor specimens of biography. This may, as the author of these volumes says, be a very good reason why a fresh work on the subject should be written; but, for the same reason, it especially behoves the writer who avails himself of the plea to prove his right to do so by the excellence of his own work. Boaden and Campbell had at least the advantage-a great one in the writers of all biographies, and a paramount one where actors are concerned-of having not merely known both John Kemble and Mrs. Siddons intimately in private life, but studied their performances, and also the performances of a race of highclass actors during a long series of years. Their books, therefore, although overloaded and tedious, are full of authentic information. They have the interest and value of contemporary records, and a tolerably vivid picture can be formed from them of the professional qualities, good and bad, of these great artists, as well as of their personal history and character. Neither are their books destitute of passages distinguished by the graces of good writing, by graphic force, and picturesqueness of style, which it will be wise in no one to overlook who may hereafter have occasion to deal with the same subject. Mr. Fitzgerald, on the other hand, never saw any of the Kemble family, nay to all appearance never even saw any really great English actor of the higher drama. A man in this position could only hope, therefore, to interest by a broad grasp of his subject, and an unusually vivid power of presenting it. Having no experience of his own to offer, he was bound to justify the intrusion on the public of a fresh book upon the Kembles by literary skill in presenting a compact and brilliant monograph of all the essential facts and characteristic features, which could be gathered from Boaden Vol. 132.-No. 263.

B

or

*

sees no

or Campbell, and the many other sources of information which they either neglected or had not at command. In place of this, Mr. Fitzgerald's work is destitute of every literary merit. It is a jumble of clumsy patchwork, to which paste and scissors have contributed more than deliberate study and workman-like skill. Whatever new matter has been added is either absolutely worthless, or, as in the case of some hitherto unpublished letters from Mrs. Siddons to Lord and Lady Harcourt, of the most insignificant kind. The book swarms with blunders. Indeed, so habitually careless is Mr. Fitzgerald, that he is inaccurate even in correcting in the preface the blunders of his text. So little conscious is he, too, of the vitreous character of his own residence, that he throws stones vigorously at others where he is himself most vulnerable. Thus the style of Campbell and Boaden is condemned in his preface with overcharged severity, and this by a writer who, even in his Dedication, absurdity in inscribing to Mr. Sothern this history of the two great lights of the English stage, both as a token of personal regard, and as a cordial admirer of Mr. Sothern's A gentleman, who describes his own 'history' of 'lights,' as at many talents.' once a token' of regard, and an 'admirer of talent, scarcely surprises us by an ignorance of the commonplaces of Shakspeare; but in a champion of the poetical drama like Mr. Fitzgerald such ignorance takes one a little aback. And yet he deliberately quotes the phrase, 'sound the very bass string of humility" as an expression of Campbell's, illustrative of the inflation and grotesqueness of his diction! While doing so, moreover, he commits the double blunder of charging upon Campbell the use of these words as his own, which Campbell avowedly cites as a quotation used by Boaden, and of ignoring the fact, that the words drop from Prince Hal in probably the best known of all the scenes in which that 'mad wag' figures. (1 Henry IV., . The same vices of style, and the same untrust

2, Sc. 4.)

Act

worthiness of statement and quotation pervade the whole work,

and it will certainly never

supplant the volumes of Boaden and

Campbell, which it aims at superseding. Instead, however, of pursuing the immediate subject of these volumes, which we worthy occasion, we shall take the opportunity, which they suggest, of presenting some considerations as Mr. Fitzgerald has only two blunders to correct. It would be easy to swell his One of the two which he admits, is the use of the name of Mr. Tom Taylor instead of that of Mr. John Taylor, from whose Records of my

errata by scores.

Life,' published in 1823, he has borrowed most

ment; and the other, the omission of an
1776, when in fact it was 1775.

extensively without acknowledgeimportant date, which he says should be

to

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