The Prose Works of Percy Bysshe Shelley, Volumen3Reeves and Turner, 1880 |
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Página 7
... object of its earliest passion . We scarcely can see her , she is so beautiful . There is a mist of dazzling loveliness which encircles her , and shuts out from the sight all that is mortal in her transcendent charms . But the veil is ...
... object of its earliest passion . We scarcely can see her , she is so beautiful . There is a mist of dazzling loveliness which encircles her , and shuts out from the sight all that is mortal in her transcendent charms . But the veil is ...
Página 31
... objects that give you delight . You array them in the soft radiance of your words , and whilst you speak I only feel the infirmity which holds me in such dear dependence , as a blessing . Why have you been silent now ? " 6 " I know not ...
... objects that give you delight . You array them in the soft radiance of your words , and whilst you speak I only feel the infirmity which holds me in such dear dependence , as a blessing . Why have you been silent now ? " 6 " I know not ...
Página 38
... object of hope or fear . if it be good or evil , we only know , it is . We know not The old , the young , may alike die ; no time , no place , no age , no fore- sight , exempts us from death , and the chance of death . We have no ...
... object of hope or fear . if it be good or evil , we only know , it is . We know not The old , the young , may alike die ; no time , no place , no age , no fore- sight , exempts us from death , and the chance of death . We have no ...
Página 99
... difficult to assign any other origin to the mass of what we perceive and know than this power . Association is , however , rather a law according synthesis , and has for its object those forms which H 2 A DEFENCE OF POETRY.
... difficult to assign any other origin to the mass of what we perceive and know than this power . Association is , however , rather a law according synthesis , and has for its object those forms which H 2 A DEFENCE OF POETRY.
Página 100
Percy Bysshe Shelley Harry Buxton Forman. synthesis , and has for its object those forms which are common to ... objects , we do no more than seize the relation of certain points of visible objects , and fill up , blend together ...
Percy Bysshe Shelley Harry Buxton Forman. synthesis , and has for its object those forms which are common to ... objects , we do no more than seize the relation of certain points of visible objects , and fill up , blend together ...
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admirable Agathon Alcibiades Ampelus Anthemion Apollo Apollodorus appeared Arch of Titus arches Aristodemus Aristophanes arms Athenæum Bacchus beautiful Caleb Williams Calliroë CANTO character child Coliseum countenance death delight desire Diotima discourse divine drama effect Eryximachus eternal evil excellent expression faculty father feel flower former editions fragment Frankenstein Gods Greeks hair harmony Hesiod Homer honour human HYGIEIA imagination immortal inspired language Laocoon letter Love Mandeville mankind manner Marsyas Medwin omits Medwin reads Medwin's version MENEXENUS mind moral Muse nature never Note object observe passion Pausanias perfect person Phædrus Plato pleasure poem poetical poetry poets portion possession praise previous editions produced PROSE PROSE.-VOL relation rhapsodist Rhododaphne ruins sculpture seems sense Shelley Papers Shelley read Shelley's Socrates soul speak spirit statue sublime sweet tender Thespia things thou thought tion transcript truth Uranian Venus verses whilst wonder words writings youth
Pasajes populares
Página 101 - A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination; and poetry administers to the effect by acting upon the cause.
Página 134 - Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
Página 95 - And this springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being...
Página 128 - Poetry is the record of the best and happiest moments of the happiest and best minds.
Página 126 - The cultivation of poetry is never more to be desired than at periods when, from an excess of the selfish and calculating principle, the accumulation of the materials of external life exceed the quantity of the power of assimilating them to the internal laws of human nature. The body has then become too unwieldy for that which animates it.
Página 102 - A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither.
Página 129 - Poetry thus makes immortal all that is best and most beautiful in the world ; it arrests the vanishing apparitions which haunt the interlunations of life, and veiling them, or in language or in form, sends them forth among mankind...
Página 97 - Lord Bacon was a poet. His language has a sweet and majestic rhythm, which satisfies the sense, no less than the almost superhuman wisdom of his philosophy satisfies the intellect ; it is a strain which distends, and then bursts the circumference of the reader's mind, and pours itself forth together with it into the universal element with which it has perpetual sympathy.
Página 106 - The tragedies of the Athenian poets are as mirrors in which the spectator beholds himself, under a thin disguise of circumstance, stript of all but that ideal perfection and energy which every one feels to be the internal type of all that he loves, admires, and would become.
Página 101 - Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar; it reproduces all that it represents, and the impersonations clothed in its Elysian light stand thenceforward in the minds of those who have once contemplated them, as memorials of that gentle and exalted content which extends itself over all thoughts and actions with which it coexists.