A Defense of PoetryGinn & Company, 1891 - 86 páginas |
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Página vii
... rhythm which would include , under determinate forms , the varied pauses of his style . Cicero sought to imitate the cadence of his periods , but with little success . Lord Bacon was a poet . His language has a sweet and majestic rhythm ...
... rhythm which would include , under determinate forms , the varied pauses of his style . Cicero sought to imitate the cadence of his periods , but with little success . Lord Bacon was a poet . His language has a sweet and majestic rhythm ...
Página x
... rhythm . The inference from his words is that the rhythm of a poet's prose is inimitable , because varied and indeterminate . Varied and indeterminate it may be , but no less unmistakable . The melody of Shelley's language , if not ...
... rhythm . The inference from his words is that the rhythm of a poet's prose is inimitable , because varied and indeterminate . Varied and indeterminate it may be , but no less unmistakable . The melody of Shelley's language , if not ...
Página xii
... rhythms . If such a rule could be deduced , the rhythm would no longer be varied and indeterminate . Still an examination of the final sentences of Shelley's paragraphs is instructive with reference to the means by which the con ...
... rhythms . If such a rule could be deduced , the rhythm would no longer be varied and indeterminate . Still an examination of the final sentences of Shelley's paragraphs is instructive with reference to the means by which the con ...
Página xiii
... rhythm , ' ' rhythm and order . ' Akin to this practice , but yet different from it , is that of repeating certain syllables or sounds , simply because the echo of them still lingers in the ear . Whether Shelley's use of the figure of ...
... rhythm , ' ' rhythm and order . ' Akin to this practice , but yet different from it , is that of repeating certain syllables or sounds , simply because the echo of them still lingers in the ear . Whether Shelley's use of the figure of ...
Página 3
... , and restrict our view to the manner in which the imag- 30 ination is expressed upon its forms . In the youth of the world , men dance and sing and imitate natural objects , observing in these actions , as in all others , a certain rhythm.
... , and restrict our view to the manner in which the imag- 30 ination is expressed upon its forms . In the youth of the world , men dance and sing and imitate natural objects , observing in these actions , as in all others , a certain rhythm.
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Términos y frases comunes
action Æschylus age of gold age of poetry ancient Apollonius Rhodius awakened barbarism Bavius beauty become cæsura Celtic nations character civil Codrus comedy compose composition corruption creations creative cyclic poets Dante Defense of Poesy delight divine drama effect elements epic essay eternal evil expression genius Goethe grave novels Greek harmony Hence highest history of Herodotus Homer human nature ideal imagination imitation immortal influence inspiration intellectual intense iron age King Lear knowledge language less literature Livy Lord Bacon Mævius manners melody Milton mind modern poetry moral Muse never Nonnus object observation Paradise passion Peacock perfection perhaps Petrarch philosophers Pindar Plato pleasure poem poetical faculty poetical impressions portion principle produced prose reason relation religion rhapsodist rhythm Roman selectest sense Shakespeare Shelley Sidney society songs soul spirit splendor things thought tion true truth universal verse whilst words writers ΙΟ
Pasajes populares
Página xxiii - I am now indebted, as being a work not to be raised from the heat of youth or the vapours of wine ; like that which flows at waste from the pen of some vulgar amorist, or the treacherous fury of a rhyming parasite ; nor to be obtained by the invocation of dame memory and her siren daughters, but by devout prayer to that eternal Spirit, who can enrich with all utterance and knowledge, and sends out His seraphim with the hallowed fire of His altar, to touch and purify the lips of whom He pleases...
Página 39 - Could this influence be durable in its original purity and force, it is impossible to predict the greatness of the results ; but when composition begins, inspiration is already on the decline, and the most glorious poetry that has ever been communicated to the world is probably a feeble shadow of the original conceptions of the poet.
Página 73 - Not like to like, but like in difference. Yet in the long years liker must they grow ; The man be more of woman, she of man; He gain in sweetness and in moral height, Nor lose the wrestling thews that throw the world ; She mental breadth, nor fail in childward care, Nor lose the childlike in the larger mind ; Till at the last she set herself to man, Like perfect music unto noble words...
Página 76 - For he that hath, to him shall be given: and he that hath not, from him shall be taken even that which he hath.
Página 76 - It is better to go to the house of mourning, than to go to the house of feasting: for that is the end of all men; and the living will lay it to his heart.
Página 5 - ... the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true that partial apprehension of the agencies of the invisible world which is called religion.
Página 40 - It is as it were the interpenetration of a diviner nature through our own ; but its footsteps are like those of a wind over the sea, which the coming calm erases, and whose traces remain only as on the wrinkled sand which paves it.
Página 46 - Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
Página 14 - The great secret of morals is love; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own. A man to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and of many others; the pains and pleasures of his species must become his own.
Página 79 - And for this cause he is the mediator of the new testament, that by means of death, for the redemption of the transgressions that were under the first testament, they which are called might receive the promise of eternal inheritance.