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Vocal Parts, 1s. 6d. each. String Parts, 195. Full Score and

Blood-red riNG HUNG ROUND THE MOON, A (Op. 37, No. 3). (BARRY DANE.) For Contralto CANOE SONG (Op. 37, No. 2). (ISABELLA CRAWFORD). In D flat and F.

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Vocal Parts, Is. 6d. each.

The Words

written by ROBERT BUCHANAN. Price Tonic Sol-fa, 9d. Words only, 5s. per 100. String Parts, 78. Full Score and Wind Parts, MS.

SCENES FROM LONGFELLOW'S "SONG OF

HIAWATHA" (Op. 30). For Soprano, Tenor, and Baritone Soli, Chorus, and Orchestra. Price, complete .. Paper Boards, 4s. Cloth, gilt, 5s. Tonic Sol-fa, 28. Vocal Parts, 2s. each. Book of words, with Analyses by J. BENNETT and A. J. JAEGER, Is. Words only, 10s. per Full Score, 635.

100.

SEPARATELY FROM THE ABOVE:

1. HIAWATHA'S WEDDING-FEAST (Op. 30, No. 1). Cantata for Tenor Solo, Chorus, and Orchestra. Price.. Tonic Sol-fa, 1s. Words only, 5s. Vocal Parts, Is. each. Wind Parts, 225. per 100. String Parts, Ss. 6d. Full Score, 255. Vocal Score, German Words, by FERDINAND FREILIGRATT, 3 marks.

2. THE DEATH OF MINNEHAHA (Op. 30, No. 2). Cantata for Soprano and Baritone Soli, Chorus, and Orchestra. Price

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Tonic Sol-fa, Is. Vocal Parts, 1s. each. Words only, 5s. per 100. String Parts, 7s. 6d. Wind Parts, 215. 6d. Full Score, 255.

3. HIAWATHA'S DEPARTURE (Op. 30, No. 4). Cantata for Soprano, Tenor, and Baritone Soli, Chorus, and Orchestra. Price

Tonic Sol-fa, Is. Vocal Parts, Is. each. Words only, 7s. 6d. per 100. String Parts, 12s. 6d. Wind Parts, 34s. 6d.

Full Score, 30s.

TALE OF OLD JAPAN, A. For Soli, Chorus, and Orchestra.
The Poem by ALFRED NOYes. Price
Paper boards, 3s. Cloth, gilt, 4s. Tonic Sol-fa, 1s. 6d.
Words only, 75. 6d. per 100. Vocal Parts, Is. each. String
Parts, 115 d. Full Score and Wind Parts (on hire only).

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ELEANORE (Op. 37, No 6). (ERIC MACKAY). In D, B flat, and A. Full Score and Orchestral Parts in D and A only, MS. GREAT IS HE WHO FUSED THE MIGHT. Drinking Song, from "Ulysses." For Tenor

HIAWATHA'S VISION. Dramatic Scena for Baritone. From "Hiawatha's Departure." English and German Words.

Full Score, 45. Orchestral Parts, MS.

O SET THE SAILS. From "Ulysses." For Tenor ..

SIX AMERICAN LYRICS (Op. 45). (Contralto or Baritone) :1. O THOU, MINE OTHER, STRONGER PART

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4. THE DARK eye has left us

5. O SHIP THAT SAILEST

6. BEAT, BEAT, DRUMS. Full Score and Orchestral Parts, MS.

ONAWAY! AWAKE, BELOVED! From "Hiawatha's Wedding. Feast" (Op. 30, No. 1). For Tenor. String Parts, 25. Wind Parts, 3s. 6d. Full Score, 5s.

Sons of the SEA. (SAROGINI NAIDU). In F minor and E minor. Full Score and Orchestral Parts in F minor, MS.

SOUL'S EXPRESSION, THE (Op. 42). Four Sonnets by ELIZABETH BARRETT BROWNING. Contralto. Price

1. The Soul's Expression; 2. Tears; 3. Grief; 4. Comfort. Full Score and Orchestral Parts, MS. SPRING HAD COME. For Soprano. From "Hiawatha's Full Score,

Departure." English and German Words. 3s. 6d. Orchestral Parts, MS. .. Sweet eveningS COME AND GO, LOVE (Op. 37, No. 4). (GEORGE ELIOT). In F and B flat..

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LONDON: NOVELLO AND COMPANY, LIMITED.

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MALE VOICES (T.T.B.B., Unaccompanied or Accompaniment ad lib.).

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where not otherwise indicated

Brahms d.

Lullaby (Op. 49, No. 4) (arr. by John E. West) C. H. H. Parry 4d.

Mad Dog, The. Humorous (A.T.B.B.)
Marching (Op. 41, No. 4) (Humorous)
Night March, The (Op. 62, No. 1)
Orpheus. Humorous (A.T.B.B.)

Pibroch of Donuil Dhu

Sailor's return, The

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Softly fall the shades of evening (arranged)..
Soldier, rest

Song of Freedom (Op. 62, No. 2)

That very wise man. Humorous (A. T.B.B.)..

Brahms ad. Schumann 3d. C. H. H. Parry 3d. Granville Bantock 4d. P. E. Fletcher 4d. Hatton 3d. ..A. Somervell 3d. Schumann 3d.

C. H. H. Parry 3d.

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Winter is gone, The (arr. by R. Vaughan Williams)

THREE-PART (S.S.A.) and with Accompaniment
ent).

Scotch Air 3d. .. W. Wolstenholme 6d. E. German 3d.

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. J. C. Marks 3d.

J. Harrison 2d.

S. Reay 3d.
P. E. Fletcher 3d.

A. C. Mackenzie 3d.

J. Pointer 3d.

S. Coleridge-Taylor 3d.

J. Ireland 3d.
Laurent de Rillé 6d.
Brahms

Forest Fay, The (Op. 69, No. 2) (4 parts unaccomp.) Schumann

Full fathom five (2 parts)

Golden slumbers (2 parts)

Good-night, beloved (arranged, unaccomp.)..

Here a pretty baby lies..

In the warm blue weather (4 parts unaccomp.)

June rose (Op. 29, No. 2)

Lullaby (Op. 49, No 4) (arranged)
Ditto (2 parts)

1d.

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J. Ireland
A. H. Brewer 3d.

Pinsuti d.

H. A. Smith rąd.
Colin Taylor 3d.
Schumann ind.
Brahms

where not otherwise indicated

Maiden of the "Fleur de Lys" (arranged, unaccomp.)

E. A. Sydenham rjd.

Mermaid, The (Op. 69, No. 5) (5 parts unaccomp.) Schumann 3d.

Oh, the merry May (unaccomp.)

Pixies, The

P. E. Fletcher 3d. S. Coleridge-Taylor 3d. Brahms 3d. A. C. Mackenzie 3d.

Queen of the heavens (Op. 37, No. 3) (4 parts)
Rhyme of the four birds, The
River King, The (Op. 91, No. 3) (4 parts unaccomp.) Schumann d.
See, see what a wonderful smile (4 parts unaccomp.) Colin Taylor 3d.
Sing ye praises (Op. 37, No. 2) (4 parts)
Sleep, little baby (s. solo) (4 parts unaccomp.)
Slumber Song, A (arranged)

Softly fall the shades of evening (arranged,
Song of morning, A

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d.

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Ye banks and braes (2 parts)

$ Orchestral Accompaniment.

LONDON: NOVELLO AND COMPANY, LIMITED.

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BY

FRANKLIN TAYLOR.

EXTRACT FROM PREFACE.

In the course of my experience as a teacher of the pianoforte, an experience extending over many years, certain ideas have from time to time suggested themselves to me which have proved useful-to myself, as enabling me to express more clearly that which I desired my pupils to understand, and to my pupils, as tending to facilitate their comprehension of the various difficulties they have had to encounter, at the same time leading them to perceive the most practical means of overcoming them, and thus accelerating their general rate of progress.

These suggestions relate to both the mechanical and intellectual sides of the study of pianoforte-playing, or briefly, to Technique and Expression, the chief matters implied by the first of these terms being the production of various qualities of tone, the choice of suitable fingering, and the best methods of attacking certain difficulties; while the second, which may perhaps be more aptly designated the means of expression, includes rhythm, phrasing, variety, and gradation of tone, the use of the pedals, et cætera.

WITH NUMEROUS MUSICAL EXAMPLES FROM THE WORKS OF THE GREAT MASTERS.

PRICE, CLOTH, GILT, FIVE Shillings.

London: NOVELLO AND COMPANY, Limited.

Just Published.

NEW AND REVISED EDITION.

THE ORGAN

BY

JOHN STAINER.

EDITED BY JOHN E. WEST.

An important feature of the present Edition of this invaluable and popular Organ Primer is the adoption of the now universally recognized system of fingering-1.2.3.4.5., which is here substituted for the older system-X.1.2.3.4.-in all cases where fingering is marked.

In the explanatory portion of the book, opportunity has been taken of briefly mentioning one or two of the principal additions and improvements to the instrument which have been made since the book was first issued.

Bearing in mind that the Author's aim was to assist, in as concise a manner as possible, the early steps of an organ student, the Editor has refrained from adding any further exercises or pieces to those which were already given. But the addition of a few extra fingering and phrasing marks seemed necessary here and there, and, in the five concluding pieces, the laying-out of one or two of the manual passages has been rendered clearer to the player's eye by means of a slight re-staving.

The admirable explanations and diagrams of the TubularPneumatic and Electric actions have been supplied by Mr. L. Simon, of Messrs. Norman & Beard, Ltd.

Price Two Shillings.

Paper Boards, Two Shillings and Sixpence.

London: NOVELLO AND COMPANY, Limited.

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