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PRODUCED AT THE LONDON CHORAL SOCIETY'S CONCERT

AT QUEEN'S HALL, DECEMBER 6, 1911,

A TALE OF OLD JAPAN

A CANTATA

FOR SOLI, CHORUS, AND ORCHESTRA.

THE POEM BY

ALFRED NOYES.

THE MUSIC BY

S. COLERIDGE-TAYLOR.

Price Two Shillings and Sixpence. Paper boards, Three Shillings. Vocal Parts, One Shilling each. Tonic Sol-fa, One Shilling and Sixpence. Full Score and Band Parts in the Press.

THE TIMES.

Mr. Coleridge-Taylor has found a theme which suits him admirably in the poem by Mr. Alfred Noyes, for there is that mixture of high colouring and simple narrative in the words which finds a counterpart in the brilliant use of the orchestra added to simple melody which is the essence of Mr. Coleridge-Taylor's music. The whole story is cleverly carried on by chorus, solo voices, and solo quartet woven together as contrasting elements of colour rather than dramatically.

The whole is full of melody, yet it never quite loses its distinction, and is carried through by its evident sincerity, its skilful technique (which is so skilful that the hearer does not notice it), and the fact that every detail bears the stamp of the composer's individual and unaffected style.

DAILY TELEGRAPH.

Mr. Coleridge-Taylor in "A Tale of Old Japan" has written a very pretty setting of the poem by Alfred Noyes. It is another "Hiawatha." If Mr. Taylor had never written "Hiawatha," one might acclaim "A Tale of Old Japan" as an expression of a new personality in English music.

There is nothing academic in the music; it is simply written, there is practically no counterpoint, and its frankly melodious character, even in recitatives, will surely appeal greatly to provincial choirs of limited ability. It is a charming work of its kind, and will, no doubt, be immensely popular.

STANDARD.

The most striking work was Mr. Coleridge-Taylor's "A Tale of Old Japan."

The music is delicate and fragrant as the cherry blossoms of the land which inspired the poem. Its melodic outline and dainty scoring are full of charm.

The work is so picturesque and attractive that it appeals to the ear as well as to the æsthetic taste.

DAILY MAIL.

Mr. Coleridge-Taylor's cantata, “A Tale of Old Japan," won a frank success at its first performance at Queen's Hall last night. The composer has chosen a pretty and quaint and touching, but not too touching, ballad by Mr. Alfred Noyes, and has given it a musical setting which suggests a mosaic pattern in its bright colours and dainty themes.

DAILY NEWS.

It is pretty, simple music, full of colour and picturesqueness. The scoring is clever and animated, and the whole composition made a good impression.

GLOBE.

It contains much very graceful and imaginative music, especially in the delightful chorus with solo quartet "Peonies, peonies crowned the May," which, in its way, is a little gem.

Mr. Coleridge-Taylor has written a very dainty and attractive Cantata which ought to find great favour with choral societies.

PALL MALL GAZETTE.

With the facile and effective choral writing, the neat rhythms and touches of colour suggesting something Japanese, "A Tale of Old Japan' may well be welcomed by the many choral societies in existence on the look-out for something new.

THE REFEREE.

The subject seems to have appealed with peculiar force to the composer, who has most happily realised the poetry and pathos of the libretto, and set it to music that flows on in spontaneous melody, enhanced by the art and craft of the accomplished musician. Human feeling pulsates in the music from the first to the last bar, and to listen to it is pure enjoyment.

LONDON: NOVELLO AND COMPANY, LIMITED.

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NOW ISSUED AS A NET BOOK.

ADDITIONAL HYMNS

WITH TUNES

FOR USE WITH

HYMNS ANCIENT
ANCIENT AND MODERN
OR ANY OTHER CHURCH HYMNAL.

272 pages, Imperial 16mo. Cloth Boards, price Two Shillings and Sixpence.
Tonic Sol-fa Edition, Two Shillings and Sixpence.

Hymns only, Imperial 32m0, Cloth Boards, One Shilling.

Hymns only, medium 32mo, diamond type, cloth, 4d. ; paper, 3d.

Complete edition, bound with HYMNS ANCIENT and Modern (Quarto), 6s. 6d. net.

As its name implies, this book is designed for use with, and not in place of, other Church Hymnals.

For this reason the Hymns are numbered from 801, so that the numbers may not interfere with the use of any other hymn book, no other Church hymn book having as many as even seven hundred hymns. Each hymn has its own distinctive tune, and no hymn or tune in this work is found in Hymns Ancient and Modern (Old Edition), so that with the two books no duplication occurs.

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NOW ISSUED AS A NET BOOK.

THE NEW CATHEDRAL PSALTER

CONTAINING

THE PSALMS OF DAVID

TOGETHER WITH THE CANTICLES AND PROPER PSALMS. EDITED AND POINTED FOR CHANTING BY

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No. 54. No. 55.

No. 63.

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No. 53. With Superimposed notes and CHANT BOOK No. 81.
With Superimposed notes and CHANT BOOK No. 82.
With Superimposed notes and CHANT BOOK No. 83.
With Prosody signs and CHANT BOOK No. 81.
With Prosody signs and CHANT BOOK No. 82.
With Prosody signs and CHANT BOOK No. 83.
With Varied type and CHANT BOOK No. 81.
With Varied type and CHANT BOOK No. 82.
With Varied type and CHANT BOOK No. 83.

NEW CATHEDRAL PSALTER CHANTS.
No. 81. For Cathedral use, "The St. Paul's Cathedral Chant Book," Revised Edition.
No. 81A.
Ditto
ditto
No. 82. For Parish Church use, no Treble recitation note higher than D.
No. 82A.
Ditto
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No. 83. For Village Church use, no Treble recitation note higher than C.
No. 83A.
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PSALTER AND CHANTS COMBINED.
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Cloth.

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Demy 8vo

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The "New Cathedral Psalter, " though founded on the old Cathedral Psalter, is a distinct book, and the two books cannot be used together. The old Cathedral Psalter is still in circulation in all its editions.

LONDON: NOVELLO AND COMPANY, LIMITED.

NOW ISSUED AS A NET BOOK.

TECHNIQUE

AND

EXPRESSION

IN

PIANOFORTE PLAYING

BY

FRANKLIN TAYLOR.

EXTRACT FROM PREFACE.

In the course of my experience as a teacher of the pianoforte, an experience extending over many years, certain ideas have from time to time suggested themselves to me which have proved useful-to myself, as enabling me to express more clearly that which I desired my pupils to understand, and to my pupils, as tending to facilitate their comprehension of the various difficulties they have had to encounter, at the same time

leading them to perceive the most practical means of overcoming them, and thus accelerating their general rate of progress.

These suggestions relate to both the mechanical and intellectual sides of the study of pianoforte-playing, or briefly, to Technique and Expression, the chief matters implied by the first of these terms being the production of various qualities of tone, the choice of suitable fingering, and the best methods of attacking certain difficulties; while the second, which may perhaps be more aptly designated the means of expression, includes rhythm, phrasing, variety, and gradation of tone, the use of the pedals, et cætera.

WITH NUMEROUS MUSICAL EXAMPLES FROM THE WORKS OF THE GREAT MASTERS.

PRICE, CLOTH, GILT, FIVE Shillings.

London: NOVELLO AND COMPANY, Limited.

The SOCIETY of BRITISH COMPOSERS.

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Op. 39.

Pièce en forme de Valse. Pianoforte Solo..

2nd Etude de Concert

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GODOWSKY, L.-Walzermasken. Pianoforte Solo; 1. Karneval; 2. Pastell; 3. Skizze; 4. Momento Capriccioso; 5. Berceuse; 6. Kontraste; 7. Profil; 8. Silhouette; 9. Satire; 10. Kari. katur; 11. Tyll. Ulenspegel; 12. Légende; 13. Humoreske; 14. Französisch; 15. Elégie; 16. Perpetuum mobile; 17. Menuett; 18. Schuhplattler; 19. Valse macabre; 20. Abend. glocken; 21. Orientale; 22. Wienerisch; 23. Eine Sage; 24. Portrait. In four Books HENDRIKS, C. F.-Op. 22. Suite Mignonne. Pianoforte Solo; 1. Prelude, 1s. 6d. net; 2. Air, Is. net; 3. Valse, Is. 6d. net; 4. Romance, Is. 6d. net; 5. Gavotte Douze études. Pianistiques pour HERARD, P. S.-Op. 103. la main gauche MASSENET, J.-Roma. Opera tragique Overture. Piano Solo Roma. Opera tragique Le Bois Sacré. Pianoforte Solo PHILIPP, I.-Dix Exercices-études en double notes RIMSKY-KORSAKOFF, N. 'Antar.' Symphony

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Music Published in the AVISON EDITION. MICHIELS, G.-Russian Rhapsodie for Violin and Pianoforte

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Chantecler. Quatuor for Two Violins, Alto, and 'Cello RIMSKY KORSAKOFF.-Antar.' Romance for Violin and Pianoforte, 2s. 6d. net; for Flute and Pianoforte ROUCHAUD, G.-Fantaisie sur des Airs Limousins. For Violin and Pianoforte, Oboe and Pianoforte, Flute and Pianoforte each 3SAURY, E.-Gavotte for Violin, Viola, and 'Cello, with Accompaniment for Pianoforte (ad lib.)

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HARTLEY, LLOYD-Two Pieces. Violin and Pianoforte .. HURLSTONE, W. Y.-Variations for Orchestra. Full Score Trio. Pianoforte, Violin, and Violoncello

MCEWEN, J. B. "Grey Galloway." Border Ballad for
Orchestra. Full Score

MACKENZIE, A. C.-Suite. Violin and Orchestra (or Pianoforte)
Full Score 20s. | Piano Score net 5s. Separately, each
MATTHAY, TOBIAS-Quartet in one movement
SPEAIGHT, JOSEPH-Spanish Love Song. Violin and Pianoforte
Spinnerlied; Evensong. Violoncello and Pianoforte..
WESSELY, HANS-Kreutzer Studies, with accompaniment for
Second Violin. Two Books
PIANOFORTE.

AUSTIN, ERNEST-Poem for Pianoforte

BOWEN, E. YORK-Miniature Suite

Separately: Humoresque, 1s.; Nocturne, 1s.; Scherzo
First Ballade; Polonaise..

ORGAN AND HARMONIUM.

6 BONNET, J.-Op. 7. Douze Pièces Nouvelles. Organ. Complete 8 GIGOUT, E.-Seventy Pieces for Harmonium Solo

。 JACOB, G.-Twenty-five Pieces for Harmonium Solo

Twelve Pieces for Organ

Exercices d'orgue. 1. Mains Seules; 2. Pedales; 3. Mains KARG-ELERT, S.-Op. 78. Præludium and Postludium. For Organ

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Op. 86. Characteristische Tonstücke. Books I. and II. each 4 Op. 85. Drei sinfonische Kanzonen. 1. Kanzone und Tokkata. Es moll. 2s. 6d. net (mit Trompetenschluss ad lib.); 2. Fantasie, Kanzone, Passacaglia und Fuge. C moll. 25. net; 3. Fuge, Kanzone und Epilog (mit Violine und 4 Frauenstimmen obligat.) Fis dur. Organ I. Ach bleib mit

Op. 87. Drei symphonische Chorale. deiner gnade, 2s. 6d. net; 2. Jesu, meine Freude. Introduzione et Inferno, Canzona, Fuga con Corale, 4s. net; 3. Nun ruhen alle Wälder (mit obligater Violine und Singstimme). Organ MESSERER, H.-Invocation. Organ

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HICKIN, WELTON-Suite Mignonne

VOCAL MUSIC.

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HURLSTONE, W. Y.-Capriccio..

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JERVIS-READ, H. V.-Five Impressions

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QUILTER, ROGER-Three Studies

SWINSTEAD, FELIX-Prelude in D

Variations on a Theme by Concone

MATTHAY, TOBIAS-Toccata; Albumblatt; Dirge

SPEAIGHT, JOSEPH-Passepied, Is. ; Miniatures, 1s. 6d. ; Legends 2

WIGHT, A. N.-Barcarolle. In the Bay

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Soprano or Tenor

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Pater-Noster. Tenor Solo. Organ Accompaniment LABORI, M.-Twelve Melodies.

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London: NOVELLO AND COMPANY, Limited.

LONDON: NOVELLO AND COMPANY, LIMITED.

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CHAPPELL & Co., Ltd., 50, New Bond Street, London, W.

NEW YORK AND MELBOURNE.

AND MAY BE HAD OF ALL MUSIC SELLERS.

London:-Printed by NOVELLO AND COMPANY, Limited, at Novello Works, Soho, and published at 160, Wardour Street, Soho, W.
Sold also by SIMPKIN, MARSHALL, HAMILTON, Kent and Co., Ltd., Paternoster Row, E.C.-Monday, April 1, 1912.

This Supplement is part also of the April issue of THE SCHOOL MUSIC REVIEW, and can be obtained with the

REVIEW, price 1d.

Che

Competition Festival Record

INTERNATIONAL

No. 45.

MUSICAL COMPETITION & DEMONSTRATION FOR CHOIRS, ORCHESTRAS, & BANDS.

PARIS, MAY 26, 27 (WHIT-MONDAY), AND 28.

I. THE CHORAL COMPETITIONS.

The entries closed on February 10. We give, on p. 2, a list of all the entries in classes in which British choirs will compete. 'Excellence' is the highest Division, the next is 'Superior,' and below that the classes are Division I., II., &c.

Each choir has to sing the stated test-piece and music of its own choice.

Forty-five British choirs, and about 130 choirs of other nationalities have entered. They include about 11,000 choralists.

It is estimated that board and lodging and rail fare, either from the Friday to Monday or from Saturday to Tuesday, will cost about £2, the amount varying according to the route (FolkestoneBoulogne or Newhaven-Dieppe) and the class of hotel. The Paris Committee is arranging these terms with the transport companies and the hotelkeepers.

II. NON-COMPETITIVE Singing. Tuesday, May 28.-This section is open to any choir which may be formed for the occasion. There are no money-prizes, but trophies will be awarded. Each choir may choose its own programme, to last not more than thirty minutes. The pieces may be accompanied or not, but it will not be possible to arrange for orchestral accompaniment, if only because of the difficulty of adequate rehearsal. Entries need not be made before April 15.

As the entries for this section are not yet fully made, we cannot give particulars until next month. We understand that Dr. Coward is organizing a large choir recruited from his Leeds and Sheffield choralists.

III. CHILDREN'S CHOIRS.

1

May 28. Their first idea was to invite 1,000
children, but after full inquiry as to ways and
means it was
only 500 children from the London County
Council schools.

decided to offer to entertain

But while the Paris Committee will undertake to board and lodge only the 500 L.C.C. children, they will welcome school choirs from any other quarter of this country. The following is a translation of an official communication we have received as to this matter:

Any children's choir can compete in this section, providing they meet the whole of their expenses

Societies entering Honours Division must fill up Entry Form, but are exempt from all entry fees. This section closes April 15.

Please make it quite clear that all children from England may come and compete and are assured of a hearty welcome, and they will most probably be treated in the same way as the L.C.C. children.

The Council cannot, however, pay expenses, but will look to their comfort and security and provide them with suitable accommodation in schools or other Institutions at minimum rates.

The invitation of the Paris Committee to the children has been carefully considered by the L.C.C. Education Committee, with the result that its acceptance was recommended to the Council. Further the Finance Committee recommend that £600 be allocated to defray the cost of travelling. The children travel on Saturday, May 25, and return on Wednesday, May 29. They will thus have ample time before singing to recover from the fatigue of the journey, and they will be able to spend Monday in seeing the sights of Paris. Dr. Borland will select the choirs from the schools.

At the time of writing it is dubious whether the

As announced in our last issue the Paris Com-full Council will consent to the expenditure. mittee has very generously and cordially invited British school children to join the Paris children at the junior competition to be held on Tuesday,

School choirs from Bradford, Blackpool, Leyton (Farmer Road), Barry (South Wales), and elsewhere have intimated their intention to compete.

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