A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women's Innnovative WritingUniversity of Iowa Press, 2007 M12 1 - 228 páginas Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors. Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation. Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing. |
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Página 105
... writes , " [ I ] t is funny about identity . You are you because your little dog knows you , but when your public knows you and does not want to pay for you and when your public knows you and does want to pay for you you are not the ...
... writes , " [ I ] t is funny about identity . You are you because your little dog knows you , but when your public knows you and does not want to pay for you and when your public knows you and does want to pay for you you are not the ...
Página 107
... writes of a summer “ that I read my father's copy of Anna Ka- renina and thus made it my own , so that later that fall it was logical that I should write my name in every other one of his books " ( 112 ) . Here the issue of possession ...
... writes of a summer “ that I read my father's copy of Anna Ka- renina and thus made it my own , so that later that fall it was logical that I should write my name in every other one of his books " ( 112 ) . Here the issue of possession ...
Página 121
... writes is already long gone , that the self presented in the pages of Every- body's Autobiography is a self of the ... write Robert Frank and Henry Sayre , " that to open the poem to the observer , to include that observer in the ...
... writes is already long gone , that the self presented in the pages of Every- body's Autobiography is a self of the ... write Robert Frank and Henry Sayre , " that to open the poem to the observer , to include that observer in the ...
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A Vocabulary of Thinking: Gertrude Stein and Contemporary North American ... Deborah M. Mix Vista previa limitada - 2007 |
Términos y frases comunes
allows American appears argues asserts attention authors autobiography avant-garde becomes begin body calls Cha's chapter collaborative comes connections consider construction contemporary conventions create critics culture desire DICTEE difference discussion Double emphasizes engagement Everybody's experience experimental explains female femininity feminist figure forces gender genre Gertrude Stein Hejinian identity important individual instance issues kind language lesbian Lifting Belly lines literary literature lives look love lyric lyric male marks Marlatt and Warland means move Mullen narrative notes offers original particular passage patriarchal perhaps poem poetry poets political position possible potential present Press question readers reading reference relationship repetition seek seems sense sexuality significant social space Spahr speak speaker Stein story suggests throughout tion Toklas tradition translation University vocabulary voice woman women writing written